Day: September 11, 2023

Categories Leo Frank

Musk defames the ADL – The Hill

If ever there was a case to be made against the wild excesses of social media, consider Elon Musk’s latest attack on one of the most venerable civil rights organizations in America, the Anti-Defamation League (ADL).

According to the Jewish Telegraphic Agency, last week, Musk “liked a tweet by an Irish white supremacist calling on the platform to #BanTheADL” and then “asked users whether he should put such a ban to a poll.” The hashtag been used increasingly by white nationalists and raging antisemites. On September 4th, he threatened to sue the ADL for his own company’s revenue losses.

For the uninformed, the Anti-Defamation League was founded in 1913 to “stop the defamation of the Jewish people and to secure justice and fair treatment to all.” The mission was made clear in the trial that same year of Leo Frank, a Jewish businessman convicted of the rape and murder of a 13-year-old female employee in Georgia. Frank’s trial is a case study in antisemitism advanced and accelerated under the cloak of law. When the governor reduced Frank’s death sentence to life in prison, a hate-filled mob, including many paragons of the community, dragged Frank from his prison cell and lynched him.

For over a hundred years, the ADL has commanded the respect of Republicans and Democrats, the left and the right, Jews and gentiles, leaders foreign and domestic. It hasn’t confined itself solely to combatting antisemitism, but has fought for civil rights across the board. The organization stood with Dr. Martin Luther King, Jr. in the 1960s. It helped to mobilize support for the Civil Rights Act of 1964 and the Fair Housing Act of 1968. In the 1980s, it worked with the Japanese and Asian and Pacific American communities to highlight Japanese relocation and incarceration in internment camps during World War II.

Who can impeach the unimpeachable? Sully the virtuous?

Elon Musk. He’s found a new low, appearing to be anti-anti-defamation.

It should come as no surprise. History informs us that the propagation of bigotry rests on a strategic imperative: discredit and defame those who expose the bigots. Soften them up so their claims have no sting. It makes the ADL a tempting target. The organization has tracked and uncovered massive spikes in racist, antisemitic and homophobic content and harassment since Musk bought Twitter (now known as X) last year and restored extremist accounts banned under the previous management.

It’s a disturbing, destructive fight. In May, Musk clashed with the ADL after it took him to task for echoing antisemitic tropes in his attack on George Soros, the liberal Jewish megadonor. In July, he sued the Center for Countering Digital Hate for its reports on Twitter.

In one of the most chilling of Musk’s diatribes, he claimed that the ADL has been “hijacked by the woke mind virus.” You don’t have to be a historian of 1930s Nazi propaganda to feel queasy at the parallel, intended or not: Jews are somehow alien, contaminated, bound together in some supernatural force that threatens our very way of life. I’m not saying that Musk supports Nazis or neo-Nazis, but he seems to have no problem flirting with the rhetorical invective they’ve employed: Soros, internationalists, viruses — we’ve heard it all before.

Jonathan Greenblatt, the ADL’s CEO, responded to Musk’s recent attacks about banning the group from X, pointing out the connection between the #BanTheADL hashtag and “in the real world when masked men marched in Florida on Saturday brazenly waving flags adorned with swastikas and chanting ‘Ban the ADL.’” Greenblatt was referring to an antisemitic demonstration by neo-Nazis and white supremacists outside Disney World.

Musk, of course, condones it all under the banner of free-speech absolutism. It’s a maddeningly hypocritical defense. How can it be that one of the smartest entrepreneurs on Earth doesn’t comprehend the glaring, laughable disconnect: arguing for absolute free speech while flirting with a ban of the ADL?

The argument of “free-speech absolutism” was swiped aside by the dictum of Justice Oliver Wendell Holmes, Jr. in the Supreme Court decision on Schenck v. United States in 1919. The opinion held that the defendant’s speech opposing the draft during World War I was not protected under the First Amendment because it presented a clear and present danger. “The most stringent protection of free speech would not protect a man falsely shouting fire in a theatre and causing a panic.”

In the case of Elon Musk, the clear and present danger is even more serious. He owns a social media empire tantamount to owning all the theaters, plus the fire departments, plus the manufacturers of matches and gasoline.

So much power concentrated in the hands of one person requires, if not decency, at least accountability. Even Musk’s Teslas have self-correcting navigation to ensure they don’t veer dangerously across guardrails. Elon Musk requires the same.

Steve Israel represented New York in the U.S. House of Representatives over eight terms and was chairman of the Democratic Congressional Campaign Committee from 2011 to 2015. He is now director of the Cornell Jeb E. Brooks School of Public Policy Institute of Politics and Global Affairs. Follow him @RepSteveIsrael. 

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Musk defames the ADL - The Hill

Categories Mary Phagan

Top 10 Broadway Musicals That Seem Great for Kids but Aren’t – Listverse

Musical theater can be a magical thing for a child. The first time they see Wickeds Elphaba rise to the top of the theater, or the chandelier come crashing down in Phantom, can be a memory theyll never forget.

Of course, some shows might not make such a great impact. Occasionally, parents have a tendency to make rash decisions, and some of those end up turning into nights at the theater with kids, watching shows they probably shouldnt be seeing.

These shows arent necessarily bad for children to see. Still, because of somethingits title, famous song, etc.parents may be misled into believing the musical is something its not. And that can lead to an uncomfortable performance for all involved.

So lets head backstage and look at ten Broadway musicals that arent the ones you want your kids watching.

Related: Top 10 Broadway Musicals Youve Never Heard Of

Although its one of the most famous musicals of all time, it might not be the best way to introduce your child to the world of theater.

Cats has a famously convoluted plot that may be difficult for most kids to understand. (Im 23 and barely understand it myself.) In general, the idea is that a group of cats in London are each competing to go to the Heaviside Layer, which is their version of heaven.

Although the show can certainly be a lot of fun, its quite confusing, and a child may not understand whats happening. To top it off, in an effort to transport the audience from a theater to this magical world where cats seem to rule the earth, most productions utilize heavy makeup and interact with the audience when they can, which can be unsettling, to say the least.[1]

The original Broadway production of Spring Awakening starred Jonathon Groff and Lea Michele, both cast members of the hit TV series Glee. Although Glee isnt necessarily a show for children, it was popular with tweens upon its first release and remains so today.

Naturally, these tweens might find themselves drawn to a Broadway musical that featured both Groff and Michele, but Spring Awakening may not be the best idea. Based on the play of the same name from the 1890s, the show is about a young girl (played by Michele) who is raped by a boy (played by Groff). She becomes pregnant and must get a botched abortion, which ends up killing her.

Side plots include incest and sexual abuse from parents, as well as suicide: Pretty far from Groff and Micheles time on Glee, when they just had to worry about their glee club making it to nationals.[2]

Along with Cats, Hair is one of the most pivotal and famous musicals of all time. But despite this distinction, few people know much about the actual plot. Its not just zany singers in wigs: The show is a political art piece criticizing warthe Vietnam War specifically.

Our main characters do drugs, have sex, and swear throughout the entire show. It is integral to the plot, which aims to show what hippie tribes were really doing and talking about during the age of Flower Power.

But the main reason parents should try to steer clear of Hair is one particular scene in which the actors are presented fully nude. This might not be a big deal to some families, but its definitely something to be aware of before bringing the kids (or the in-laws!).[3]

Dont let the name fool you: Parade is not a lighthearted night at the theater.

The titular parade isnt the fun-filled extravaganza youd expect. Rather, it refers to the parade that the people of Atlanta, Georgia, plan to throw once Leo Frank is hanged for raping and murdering a young girl.

Based on true historical events, Parade follows Frank as hes accused of this heinous crime and the gross injustice that follows. Besides the devastating story of Mary Phagan, the girl whos been murdered, Parade also takes a look at the extreme anti-Semitism that caused Frank to be accused and his trial to be sensationalized and botched.

All in all, this is one of the heaviest and most heart-wrenching shows to be mounted on the Great White Way and one that adults still have trouble fully comprehending. Anyone whos done a bit of research on the show would know that going in, but if someones bought tickets based on the title alone good luck.[4]

I know, its almost sacrilegious to say that the iconic West Side Story isnt great for young ones, but its true.

Plenty of kids media is based on Shakespeare. Take Gnomeo and Juliet, for example. But while Gnomeo and Juliet takes Shakespeares tragedy and turns it into a garden trinket-themed farce, West Side Story somehow makes it even more violent.

Everyone knows the main songs from the show: Maria, One Hand, One Heart, and I Feel Pretty. These songs may seem hopeful and innocent, but the plot is not. The love story is only one part of the show, as the rivalry between the Jets and the Sharks results in extreme racism and violence, culminating with the violent death of the protagonist. And thats not even mentioning the several references to rape, including one where the beloved character Anita is almost sexually attacked by the Jets.

So maybe stick with the gnome version for the first few years.[5]

Yet another misleading title.

The fun home in question is short for a funeral home, where the main character, Alison, lives with her brothers and parents.

This musical is a biography of writer and artist Alison Bechdel. Today, shes a lesbian icon, but in her youth, she was just a young girl struggling with her sexuality.

She and her brothers romp around the funeral home, playfully introducing the audience to aneurysm hooks and smelling salts. And while there are some sexual overtones from Alisons first girlfriend, Its not the fun home or sex that makes this show a little too adult for young ones.

Turns out Alisons father is also struggling with his sexuality and deals with it by going out cruising and hooking up with barely legal men. Alison tries in vain to get her father to both accept her and himself, but in the end, he chooses suicide over facing the truth.

Not very fun. [6]

Dont let the exclamation point fool you: Oliver! is no walk in the park.

People often assume this adaption of Dickenss Oliver Twist is a childrens show. Its an easy mistake to make, considering the show is named after a young boy, and much of the cast is made up of children. And Im not saying that children dont enjoy or shouldnt see Oliver!just that some people may not be aware of how dark the content truly is.

The plot follows Oliver, abandoned at birth, as he weaves his way through Victorian London. The original book was written as a critique to show how horribly poor people and orphans lived on the streets in those days, and it certainly shows. Oliver is put through trials and tribulations, such as being kept in a coffin, being sold to whoever wants him, and eventually surviving a brutal murder attempt.

Nancy, a prostitute, is one of the only true friends Oliver makes in his time on the streets. So, of course, she winds up brutally murdered by her boyfriend, leaving Oliver alone to grieve at the end of the show.[7]

Theres a reason the kids are played by adults in this one.

This musical focuses on a group of children who are brought together by, you guessed it, a spelling bee. Each one loves spelling, and each has a reason for why they absolutely need to win.

Although the show starts off fairly tame, with the kids arguing about the difficulty of spelling and getting to know each other, it quickly takes a darker turn. From learning that one childs family openly mocks him for his stupidity to two girls breaking down over the pressure they face at home and from school, Putnams characters become three-dimensional faster than you can spell character development.

When contestant Olive is asked to spell the word chimerical, which means wildly fanciful, she begins a daydream song in which her parents repeat I love you and apologize for abandoning her. At the end, of course, her parents (who did not come to the bee) fade away, leaving her alone onstage after one of the most heartbreaking songs in musical theater. It is during this song that the audience also learns Olive may be being abused by her father at home.

But dont worry, its not all sad. Just look at the Act 2 opener: My Unfortunate Erection.[8]

Into the Woods might be fine for kids as long as you leave after Act I. In fact, this is so true that the officially licensed junior version of the show only includes the first hour and a half.

Anyone familiar with Stephen Sondheims other works would know that he generally writes complicated plays that tackle intimate issues that children wouldnt find particularly interesting. To be fair, though, with main characters like Little Red Riding Hood, Cinderella, Prince Charming, and Rapunzel, its easy to see why parents take their kids along to see Into the Woods.

Theres nothing that necessarily makes Into the Woods inappropriate, per se. No foul language or graphic scenes of violence or sex. But unless your kids are mature enough to watch Prince Charming cheat on Cinderella and Red Riding Hoods mother die, its best to steer clear.

Its a fairy tale with no happy ending and some lessons that are hard to swallow no matter how old you are.[9]

Much like cartoons, puppetry has become nearly exclusively associated with childrens entertainment. But as TV shows like South Park have shown us, animation can be very adult.

Avenue Q is to puppets what The Simpsons was to TV: Proof that any art form can be made for grown-ups. With cuddly, fuzzy main characters splashed across advertisements, its an easy mistake for parents to think Avenue Q is a family-friendly Sesame Street-type of show. Which it is in a way.

But instead of teaching kids to tie their shoes and count to ten, this musical instructs adults what to do with a useless college degree, how to use the internet to find porn, and how to address your roommates sexuality. The show is a satire of Sesame Street, but unfortunately, not everyone does their homework before seeing a show. So many parents have unsuspectingly brought children that the official website of the original Broadway production had to add a disclaimer that young children should not attend.[10]

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Top 10 Broadway Musicals That Seem Great for Kids but Aren't - Listverse