Categories Leo Frank

On this day in 1915, cross burning in Ga. signals Klan’s rebirth – Mississippi Today

Nov. 25, 1915 Credit: Wikipedia

A week before the silent film, Birth of a Nation, premiered at an Atlanta theater, William Simmons, along with 15 other men (including some who lynched Leo Frank) burned a cross on Stone Mountain, Georgia, signaling the rebirth of the Ku Klux Klan.

The movies racist portrayals of Black Americans prompted outrage by the NAACP and others, leading to huge protests in towns such as Boston and the films closing in Chicago.

Despite these protests, the movie became Hollywoods first blockbuster, making as much as $100 million at the box office (the equivalent of $2.4 billion today). In the wake of the movie, the KKK became a national organization, swelling beyond 4 million members.

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The stories of investigative reporter Jerry Mitchell have helped put four Klansmen and a serial killer behind bars. His stories have also helped free two people from death row, exposed injustices and corruption, prompting investigations and reforms as well as the firings of boards and officials. He is a Pulitzer Prize finalist, a longtime member of Investigative Reporters & Editors, and a winner of more than 30 other national awards, including a $500,000 MacArthur genius grant. After working for three decades for the statewide Clarion-Ledger, Mitchell left in 2019 and founded the Mississippi Center for Investigative Reporting.

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On this day in 1915, cross burning in Ga. signals Klan's rebirth - Mississippi Today

Categories Leo Frank

Revival Theatre in Cedar Rapids announces new initiatives for 2024 … – The Gazette

Loralee Songer (left) as Lucille frank and Joe Wetrich as Leo Frank star in Revival Theatre Companys 2015 presentation of Parade. Revival Theatre is bringing back the musical drama in April, with Songer and Wetrich in their leading roles, to launch the Cameron Sullenberger Overture Series. This annual fundraising production honors the legacy of the late Sullenberger, co-founder and musical director for the professional troupe based in Cedar Rapids. (Von Presley Studios)

CEDAR RAPIDS Gasps rippled through CSPS Hall during a Revival Theatre Company fundraiser Nov. 15, 2023, as a new series logo featuring the profile of late co-founder and music director Cameron Sullenberger came into view.

Brian Glick, the professional troupes co-founder and artistic director announced the creation of the Cameron Sullenberger Overture Series, designed to propel the troupes future by honoring its past.

Sullenberger, 54, died Feb. 11, 2023, after suffering a heart attack at CSPS, before a rehearsal for Revival Theatres production of Million Dollar Quartet. The show was postponed a week, but went on, as Sullenberger would have wanted.

What: Revival Theatre Company, professional troupe based in Cedar Rapids

Details and donations: revivaltheatrecompany.com/

The first offering in the new Overture series will be the return of one of his favorite shows, Parade, presented in a concert version next April at CSPS Hall, Revivals new resident venue. Revival Theatre presented Jason Robert Browns haunting, Tony-winning musical in November 2015 at the Scottish Rite Temple in Cedar Rapids.

Based on a true story, Parade winds the clock back to 1913, when Leo Frank, a Brooklyn-raised Jew living in Georgia, is put on trial for the murder of 13-year-old Mary Phagan, who worked at his pencil factory. Already guilty in the eyes of everyone around him, a sensationalist publisher and a janitors false testimony seal Franks fate.

The trial triggered anti-Semitism and the revival of the KKK in the area, as well as the emergence of the Anti-Defamation League, formed to stop the defamation of the Jewish people and to secure justice and fair treatment to all.

I think it's an important piece to tell right now, Glick said, and I just really enjoyed working on that, so I'm thrilled to be able to bring this (show) back.

This new series also will serve as Revival Theatres annual fundraiser, replacing the holiday show of years past. The Nov. 15 event blew the roof off of CSPS, with the glorious voice and interpretations of Ezekiel Andrew, who just marked two years with The Lion King on Broadway; pianist Garret Taylor, who has played keyboards with Wicked on Broadway for 16 years; and local powerhouse performer Alicia Monee. An evening of entertainment just doesnt get any better than this.

The new Overture series also gives a nod to Sullenbergers many years of teaching, by benefiting Revivals programming and expanded educational initiatives.

We will showcase classical musicals on this (CSPS) stage, with orchestra and singers presenting those classics that Cameron loved so much, Glick said. All the proceeds from that event will go toward funding our seasons moving forward.

A new education initiative, titled The Second Stage series, will feature master classes with industry professionals.

The whole focus is how you develop your work for the professional theater, Glick said, including audition workshops.

Another aspect will be monthly forums in a casual setting free and open to the public during which the pros discuss their process, such as production design.

You have a drink in the bar and they talk for an hour, Glick explained. It's just another way to engage and educate the community on what we do what it takes to make it all happen. I'm really excited about that.

Past classes have brought home Cedar Rapids native Michael Harrington and his wife, Broadway actor Elena Shaddow, as well as Kevin Worley, another Cedar Rapids native and Broadway actor and touring veteran.

It's capitalizing on those individuals, and letting our community be able to work with them in a really engaging and educational process, Glick said.

Also new in 2024 is switching from a calendar year to following the school year for Revivals seasons.

Were not going to officially kick off a full season, which will be our 10th year, until September of 2024, Glick told The Gazette in an interview prior to the recent fundraising concert.

That first show will be the musical comedy, The 25th Annual Putnam County Spelling Bee. The title announced Nov. 15 was just a teaser. The rest of the 2024-25 season will be revealed in April.

In the meantime, Glick told The Gazette: We're in the midst of strategic planning, looking at a new vision for the company, fundraising, and strategizing for the next 10 years.

Comments: (319) 368-8508; diana.nollen@thegazette.com

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Categories Leo Frank

Charles Evans Hughes And The Jews – The Jewish Press – JewishPress.com

The remarkable Charles Evans Hughes (1862-1948) is best known for his terms as Associate Justice (1910-1916) and later as Chief Justice (1930-1941) of the Supreme Court, for which many commentators characterize him as one of the Courts greatest jurists. However, he also taught Japanese, Latin and calculus to finance his way through law school, became an eminent lawyer and professor of law and a recognized crusading investigator of the utilities and insurance industries, served as the reform Governor of New York State (1907-1910) (he resigned to serve on the Supreme Court), ran as the Republican nominee for president, leaving his seat on the Supreme Court only to lose a tight election against to Woodrow Wilson (with some commentators believing him to be the greatest president that never was), served as U.S. Secretary of State in the Harding administration (1921-1925) and, after Hardings death in office, in the Coolidge administration, and served as a judge of the World Court (1928-1930).

Hughes became a nationally known figure in the muckraking, trust-busting age as head of the New York gas inquiry, when his independence, diligence and capacity for sorting through the financial tangle of rate-making and price gouging won him a broad following. After his investigation of corruption in the insurance industry, his reputation as an independent-minded Republican facilitated his defeat of William Randolph Hearst in the 1906 New York gubernatorial election, as he became the only Republican to win statewide office that year. Although corporate interest underscored both his former clients and his campaign supporters, he showed independence in his two terms as governor, supporting the creation of a Public Service Commission with strong powers to regulate corporate activity.

After declining Tafts offer of the vice-presidential nomination (1908), Taft appointed him to the Supreme Court; as Chief Justice, he led the fight against FDRs attempt to pack the Supreme Court, wrote the seminal opinion ruling that prior restraints against the press are unconstitutional, aligned with Brandeis and Cardozo two Jewish Justices in (surprisingly and disappointedly, to many) ruling that FDRs New Deal proposals were constitutional, and joined a powerful dissent decrying a lynch law trial during a time of antisemitic mob violence against a Jew accused of murdering a young southern woman (see fuller discussion of the Leo Frank case below). As Secretary of State, he pushed for U.S. participation in the League of Nations, advocated international reduction of arms, promoted the World Court, and supported various international efforts to fend off another world war.

Hughes Baptist minister father and deeply devout mother hoped that he would enter the ministry, and Bible and religious training infused his early years to the point that when at play, the young Hughes would take imaginary trips up and down the land of Eretz Yisrael, which he knew well from a beloved illustrated book on Biblical lands. Throughout his life, he manifested a deep belief in religious freedom and equality and, at a time when antisemitism was de rigueur in the United States, he was an outspoken supporter of Jewish rights. In the 1920s, driven by a rise in prejudice against Jews and Catholics and the resurgence of the Ku Klux Klan, he founded the National Conference of Christians and Jews (1927), a human relations organization dedicated to combatting prejudice and bringing people of different races and cultures to address interfaith divisions, among other societal schisms. The NCCJ later created the Charles Evans Hughes Award for courageous leadership in governmental service.

Many citizens, particularly Democrats, condemned him as profanely flawed because he was so outspoken in his opposition to antisemitism, but Hughes philosemitism proved to be a great boon for him in elective politics. In 1906, he won his first term as New York governor by defeating William Randolph Hearst who, aware that the majority of New Yorks 600,000 Jews were Yiddish readers, had launched a new Yiddish daily newspaper dedicated to railing against Hughes. Nonetheless, Hughes won the Jewish vote (Hearst shut down the paper immediately after losing the election), and he went on to earn 45 percent of the Jewish vote in his failed run for president against Woodrow Wilson in 1916, the highest percentage ever recorded for a Republican presidential candidate.

Hughes was among the first Americans to declare that the infamous Protocols of the Elders of Zion, a loathsome fraud that promoted the idea of a secret Jewish scheme for world domination, was a sham. An English translation of the Protocols did not arrive in the United States until 1917, when Boris Brasol, a Russian expat and monarchist, translated the Protocols into English and delivered a copy to the State Department, hoping to persuade the American government to withhold recognition of the new Soviet regime and convinced Henry Ford to publish the Protocols in his fervently antisemitic International Jew series in the Dearborn Independent (1920-1922).

Harris Ayres Houghton, MD, an American Army Intelligence officer in Brooklyn and a passionate antisemite, obtained Brasols translation and, convinced of its authenticity, he ordered a subordinate to investigate all prominent Jews for signs of subversion. Hoping for broader government dissemination of the Protocols, he forwarded a copy to Hughes, then chief justice, but more importantly in this context, then serving as chair of a government committee investigating a scandal in American wartime aircraft manufacture. Houghton alleged that Jewish conspirators had sabotaged the American war effort in World War I and, in particular, that Jewish International Bankers had caused the manufacturing problems, but Hughes derided the very idea. He immediately brought the document to the attention of Louis Marshall, the president of the American Jewish Committee, and lost no time in proclaiming the inauthenticity of the Protocols.

There is no public record of Hughes taking a position on the right of Jews to settle in Eretz Yisrael, except for one notable instance when he wrote a letter to the British government as Secretary of State using the term Jewish commonwealth. Hughes letter was cited during the House Committee on Foreign Affairs discussions beginning in early 1944 regarding a resolution that Resolved, that the United States shall use its good offices and take appropriate measures to the end that the doors of Palestine shall be opened for free entry of Jews into that country, and that there shall be full opportunity for colonization so that the Jewish people may ultimately reconstitute Palestine as a free and democratic Jewish commonwealth.

Hughes, as Secretary of State, was one of the first American leaders to be advised about the Nazi threat to Jews in the nascent Third Reich when American Jewish leaders, although they did not yet believe the alarming reports they were receiving, brought the situation to his attention. In his manifestly disappointing response perhaps understandable from a Cabinet officer serving in an isolationist administration Hughes drew a black line between the rights and interests of American citizens, which he maintained would always be defended forcefully, and non-citizens, on whose behalf the American government had no right to intervene. Nonetheless, he assured Jewish leader Rabbi Stephen Wise that this did not mean that the American government was unmindful of the demands of humanity and that American diplomats would express in an informal and appropriate manner the humanitarian sentiment of our people.

As a Supreme Court justice, Hughes supported Jewish interests in three seminal cases. First, in A.L.A. Schechter Poultry Corp. v. United States (1935), two kosher poultry businesses in New York were convicted for false sales and price reports and for selling a diseased bird in violation of the National Industry Recovery Act of 1933 (NRA), which was passed as part of the New Deal, that authorized President Roosevelt to regulate industry, establish a national public works program, set codes of conduct and protect collective bargaining rights for unions, all in the name of stimulating economic recovery. The Jewish business owners challenged the constitutionality of the NRA and, in a unanimous opinion written by Chief Justice Hughes, the Court found that the law was too vague about the definition of fair competition and, in Hughes words, left too much to the discretion of the President in approving or prescribing codes, and thus enacting laws for the government of trade and industry throughout the country which was an unconstitutional delegation of legislative power.

The Hughes Court dramatically advanced the parameters of freedom of the press and freedom of speech, and Hughes was personally instrumental in incorporating both freedoms into the Fourteenth Amendment, thereby ensuring that First Amendment freedoms would be constitutionally protected from state interference. In Near v. Minnesota (1931), for example, the first substantial press case to reach the Supreme Court, Hughes created the First Amendment doctrine opposing prior restraint of speech.

In his revolting publication, the Saturday Press, Jay Near condemned government officials for failing to act to stop corruption of the alleged bootlegging and racketeering of Jewish gangsters. The Minnesota legal authorities blocked the publication of Nears smear sheet, accusing him of violating a Public Nuisance Law (1925), which banned the publication of material that was malicious, scandalous and defamatory. However, in a 5-4 opinion written by Hughes, a watershed opinion in freedom of the press, the Court prohibited censorship and found that prior restraint of a publication to be presumptively unconstitutional (except for exceptional cases).

It is important to note that while the opinion ultimately permitted an antisemitic publisher to disseminate Jew-hatred, it also preserved the right of Jews to proclaim Am Yisrael Chai (the Jewish people live), which many on the left today characterize as hate speech, and has preserved many of the First Amendment rights that American Jews take for granted and shouldnt.

The case of greatest Jewish interest in which Hughes arguably most distinguished himself was the infamous Leo Frank case, where, along with Oliver Wendell Holmes, he was one of only two dissenters in a 7-2 Supreme Court decision that it could not reconsider the trial courts determination that the anti-Frank mob and a press that inflamed the public with base and salacious antisemitism had deprived Frank of his fundamental constitutional right to due process.

Frank (1884-1915) was a Jewish American factory superintendent who was convicted in 1913 of the murder in Atlanta of a 13-year-old worker, Mary Phagan. His trial, conviction and appeals attracted national attention, and his kidnapping from prison and lynching two years later in response to the commutation of his death sentence became the focus of social, regional, political and racial concerns, particularly regarding antisemitism. The overwhelming consensus of experts today is that the Frank conviction was a travesty of justice and was attributable, in large part, to antisemitism. Many people do not know that, at the time of his arrest, Frank held prominent positions in the Jewish community, including serving as president of the Atlanta chapter of Bnai Brith, the largest branch in the United States at the time.

The Frank case ended up before the Supreme Court after the Georgia Supreme Court on a 4-2 vote rejected Franks petition for a new trial, dismissing claims of procedural errors and irregularities. Frank then petitioned the Supreme Court for a writ of habeas corpus a challenge to a defendants detention or imprisonment that requires the government to produce the body of the defendant and to explain the reasons for detention on the grounds that, among other things, mob domination had effectively denied him procedural due process and had rendered the proceedings null and void. Solicitor General Hugh Dorsey absurdly claimed that none of the very public and raucous anti-Frank demonstrations ever came to the attention of the jury and, in a 7-2 opinion, the court majority agreed, ruling that Franks allegations of disorder were largely groundless and did not affect the verdict, and that in any case, his bald reassertion of the same allegations of mob interference had already been considered, and rejected, by the Georgia Court of Appeals.

In a powerful dissent, Hughes joined Justice Oliver Wendell Holmes in arguing that the judgment against Frank should be reversed. They noted that when Franks trial began on July 28, 1913, with the Atlanta courthouse packed and with spectators and surrounded by a crowd outside on August 23, the judge conferred in the presence of the jury with the chief of police of Atlanta (and with the colonel of the Fifth Georgia Regiment stationed in the city) about the threat to public safety in the event of an acquittal. On the same day, with the jury ready to deliver its verdict, the press presented a united request that the court discontinue proceedings that day because of the risk of riot, and the court agreed to adjourn until Monday morning.

In their dissent, Holmes and Hughes went on to describe how when the prosecutor entered the court that Monday morning, he was greeted with applause, stamping of feet and clapping of hands. The trial judge privately advised Franks lawyer that there would be probable danger of violence were Frank to be acquitted, and he advised Frank and his lawyer that it would be safer for both not to be present in court when the verdict was read. When the guilty verdict was read, and before more than one of the members of the jury could be polled, there was a huge roar of applause that prevented further polling until the pandemonium could be quelled, and the noise outside was such that it was difficult for the judge to hear the answers of the jurors, although he was only ten feet from them. With these specifications of fact, Franks lawyers argued that the trial was dominated by a hostile mob and was therefore nothing but an empty form.

Hughes and Holmes rejected the governments argument and the Courts majority decision that even where a state court may have been dominated by a mob, its rulings are unreviewable and that Frank had been deprived of due process:

[W]hatever disagreement there may be as to the scope of the phrase due process of law, there can be no doubt that it embraces the fundamental conception of a fair trial, with opportunity to be heard. Mob law does not become due process of law by securing the assent of a terrorized jury. We are not speaking of mere disorder, or mere irregularities in procedure, but of a case where the processes of justice are actually subverted The fact that the state court still has its general jurisdiction and is otherwise a competent court does not make it impossible to find that a jury has been subjected to intimidation in a particular case.

Any judge who has sat with juries knows that, in spite of forms, they are extremely likely to be impregnated by the environing atmosphere. And when we find the judgment of the expert on the spot of the judge whose business it was to preserve not only form, but substance to have been that if one juryman yielded to the reasonable doubt that he himself later expressed in court as the result of most anxious deliberation, neither prisoner nor counsel would be safe from the rage of the crowd, we think the presumption overwhelming that the jury responded to the passions of the mob it is our duty to declare lynch law as little valid when practiced by a regularly drawn jury as when administered by one elected by a mob intent on death.

After Frank lost his final appeal at the Supreme Court over the objections of Hughes and Holmes, Georgia Governor Georgia John Slaton reviewed the case and commuted his death sentence to life imprisonment in 1915. However, two months later, an enraged mob of armed men kidnapped Frank from his prison cell, drove him over 100 miles to Marietta (Mary Phagans hometown), and lynched him. The Frank case remains one of the great stains on the American judicial system.

Hughes had a lifelong love of music, and he and his wife were often seen attending operas and concerts. In this December 29, 1923, correspondence on his Secretary of State letterhead, Hughes writes:

I send my cordial greetings to the Jewish Cantors Association of America and I trust that they will have abundant success in their endeavor to raise funds for the superannuated [aged] members of this honored profession, which has so largely contributed to perpetuate the most worthy traditions of Jewish music and the ethical precepts of their faith

In 1891, an effort was undertaken to organize an association of traditional cantors in North America, leading to the launch of the Jewish Ministers Cantors Association of America & Canada (JMCA), or the Chazzanim Farband, the oldest cantorial organization in the United States, in 1897. It describes itself as a professional international association of traditional Reverend Cantors serving the Jewish community for over a century whose goal is to help revive the art of the Cantor and bring beauty back to the Jewish worship service. During its celebrated history, it boasted some of the greatest chazzanim of the past century, including legendary cantors Yossele Rosenblatt and Moshe and David Koussevitsky.

The organization grew through the arrival on American shores of cantors who survived the pogroms of Eastern Europe of the 1890s, World War I refugees, and Holocaust remnants of the great European cantors who had lead services at the hundreds of synagogues destroyed by the Nazis. Their lives and the lives of their families depended upon the fellowship and support of the JMCA which, in many instances, was the only institution that could help them find cantorial employment. The organization, which grew along with an ever-expanding America, supplied traditional chazzanim to Jewish communities all over the United States and throughout Canada.

On December 29, 1947, the JCMA celebrated its 50th Anniversary Concert at the Metropolitan Opera House and, on December 5, 1960, it held its 60th Anniversary Concert and celebration at Madison Square Garden before 20,000 attendees. The organization was invited to a special private audience with Pope John Paul II at Vatican City on January 18, 2005, when thirteen cantors and other Jewish dignitaries traveled to Rome to thank the Pope for his contribution to religious reconciliation with the Jewish People and the State of Israel. The Rabbis in attendance recited a special prayer; the cantors sang a special Shehecheyahu to commemorate the event at the Vatican in Clementine Hall and they presented a concert at the Great Synagogue of Rome on January 17 for the Roman Jewish community.

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Categories Leo Frank

Jonathan Chait Whitewashes Left-Wing Antisemitism To Protect … – The Federalist

Antisemitism exists on the left and the right, New York columnist Jonathan Chait informs his readers in a piece headlined Republicans Have an Antisemitism Problem. The Democratic Party Doesnt. But, he goes on, There is one American party that is currently healthy enough to call out and exclude antisemitism within its ranks.

Sure, you might see leftists participating in the most virulent antisemitic protests in American history. You might read elected Democrats spreading blood libels and accusing Jews of dual loyalty. You might watch the leading liberal cable news network repeating Hamas propaganda, but all of that merely proves that Republicans have a serious problem on their hands.

Now, it should be noted that Chait doesnt call out and exclude antisemitism within his ranks. Hes been whitewashing it for years.

When in 2021, I pointed out that Rashida Tlaib was peddling antisemitic tropes about people behind the curtain undermining a free Palestine by exploiting regular Americans for their profit, Chait called it a classic example of right-wingers using the ultra-sensitive standards, with the least generous interpretation. Right? Who doesnt talk about wealthy puppeteers hypnotizing American patriots for profit?

Chait believes criticizing George Soros, the most generous funder of leftist causes in the world, sounds like something out of The Protocols of the Elders of Zion. At the same time, he believes criticizing a woman who pushes ancient tropes about Jewish power is a classic overreaction. Actually, now he contends that Tlaib whose tweet falsely accusing Israel of bombing a Christian hospital filled with children is still up has never actually uttered anything a reasonable person would deem antisemitic.

Even the ADL, incidentally, which is run by a long-time Democrat partisan, has denounced Tlaib. Is Jonathan Greenblatt not a reasonable person in Chaits estimation?

Chait contends that Ron DeSantis has an antisemitism problem. Elon Musk, you see, who backed the Florida governor in 2022, also agreed with an antisemites tweet a year later. Chait compares this association to one Barack Obama had with his long-time mentor and close confidant, the racist preacher Jeremiah Wright. (To be fair, Wright wasnt the only Jew hater Obama palled around with but we dont talk about that.)

One thing is certain: DeSantis, unlike Tlaib, does not use or excuse eliminationist rhetoric. From the river to the sea, explains Chait, who hears white supremacist dog whistles in his sleep, is an inflammatory and irresponsible slogan that implicitly creates solidarity with terrorism precisely because it is ambiguous and open to multiple definitions, but it is not per se antisemitic.

From the river to the sea is the least ambiguous phrase imaginable. It quite literally and geographically lays out the genocidal aims of its chanters from the Jordan River to the Mediterranean Sea, including all of the Jewish state, not just occupied territory. Using Chaits partisan-addled logic, one could argue that white supremacists who chant, You Will Not Replace Us might not be talking about racial domination you know, not per se but merely about coexistence. Whos to know, right?

Chait says that leftist antisemitism, what little of it exists, is overwhelmingly directed in opposition to the Democratic Party. This supposedly proves that the Democrats are the anti-antisemitism party.

No, this happens because the American left has a huge Jew-hater problem. Does any sentient human being believe that these protests wouldnt be overwhelmingly directed at President DeSantis or Donald Trump both of whom would likely be just as, if not more, inclined to back Israel? The only reason Bidens modest support for Israel is undermining him in polls is because anti-Israel, oftentimes pro-Hamas, fans are overwhelmingly on the left, not right. Thats not hyperbole. According to a recent Harvard poll, 36 percent of liberals agree that Hamas attacks on civilians were justified.

Needless to say, the antisemites on college campuses whoset upJew-free zones and sign petitionssolelyblaming Israel for its own dead women and babies arent members of the Federalist Society. And the people tearing down posters of kidnapped children are never going to vote for the GOP. How many Republicans were among the400+congressional staffers or the500+State Department bureaucrats who demanded Hamas get away with the murder of 1,200 civilians at least 30 of them American citizens? Probably not many.

Antisemites are welcomed in the Democratic Party. No one forced Nancy Pelosi to preen on the cover of Rolling Stones Women Shaping the Future with Ilhan Omar (and other Hamas apologists) after her antisemitic remarks were known.

To get around the Omar problem, Chait writes:

Well, the party made clear those comments were unacceptable. Omar apologized, and Democrats supported a congressional resolution denouncing them. That is how a healthy party operates.

No, they didnt. The resolution passed by Democrats mentions Alfred Dreyfus and Leo Frank, but nowhere in the text is Omars name or any reference to her remarks mentioned. Democrats, as usual, refused to condemn antisemitism without watering it down with a platitudinous laundry list of every censurable hatred imaginable. As is the case whenever Jews are being attacked, the problem of Islamophobia dominates the resolution. The censure would be equivalent to Republicans condemning a right-wing antisemite by denouncing Stalins Doctors Plot and the 1992 Los Angeles riots while lamenting the prevalence of black antisemitism in inner cities. It was a complete joke.

There are indeed antisemites on both sides and we should call them out. But while most of the worst right-wing antisemites cosplay as Nazis in front of Disney, full-blown left-wing Hamas apologists are now embedded in universities, major newspapers, cable news, liberal politics, think tanks, protest movements like BLM and the Womens March, and in congress.

What they engage in is not causal or subtle antisemitism that needs deciphering. Anti-Zionism, girded by ancient tropes about Jewish power and influence, is the predominant justification for violence, murder, and hatred against Jews.

These people are not the dominant voice in the Democratic Party, but they are a growing one. It costs nothing for a left-leaning pundit to speak the truth. Unless, of course, they value partisanship above decency.

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10 Best Broadway Shows 2023 – The Mary Sue

Broadway shows come and go, but their impact can stay with us forever. Even if a show closed early, that doesnt mean its not still one of the best of the year. And while we still have a few shows to go before 2024, lets talk about the best shows weve seen so far!

The Great White Way is made up of plays, musicals, and an array of performances that keep audiences engaged in the theatrical arts. 2023 was a brilliant year for theater, and after seeing several shows myself, I have my favorites of the season. So while the year is not over yet (and there are still some shows to go), lets talk about the ten best shows of 2023. Did your favorite make the cut?

The Stephen Sondheim show that nearly ruined his career, Merrily We Roll Along comes to life on stage in such a shockingly poignant and breathtaking way. Starring Daniel Radcliffe as Charley Kringas, Jonathan Groff as Franklin Shepard, and Lindsay Mendez as Mary Flynn, the show is about three friends and the ways in which their relationship changes over the course of twenty years. But more than that, its a show about what it feels like to lose that friend group that was once so important to you.

As is the case with many Sondheim shows, Merrily We Roll Along weighs heavily on you and it is hard to see why people didnt like it the first time around. The revival, which is playing at the Hudson, takes us through the loss of love between these three friends as we go backward through time to understand what happened to them. Its a moving production through and through.

Love Andrew Rannells and Josh Gad? Want to see them back on Broadway together? Youre in luck! The show follows Bud and Doug, two musical theater composers attempting to pitch a show aboutJohannes Gutenberg to potential producers. The musical started back at the Upright Citizens Brigade in 2005 and has achieved a cult following since then. And its always wonderful to see Rannells and Gad back on stage together after originating the roles of Elder Price and Elder Cunningham in The Book of Mormon.

Bringing up a special guest in some shows, the musical really is just a celebration of these two performers and brings their work to life in such a fun and exciting way. It is a limited run, though, with the show closing in January.

Leslie Odom Jr. on Broadway, what more could you want? Focusing on Purlie (Odom Jr.) as he returns to his hometown, this comedy tells the story of a Black preachers machinations to reclaim his inheritance and win back his church. This one-act play is funny and filled with great performances, but still packs a lot of heart for audiences to enjoy.

It is always nice to see Odom Jr. on Broadway, giving yet another brilliant performance. The show as a whole has a history to unpack that really delves into the way we tell stories. This is one you wont want to miss.

You can still see Josh Groban play the titular role in Sweeney Todd: The Demon Barber of Fleet Street until next year, before Aaron Tveit (Schmigadoon!) takes over with Sutton Foster (Younger). The revival of Sondheims beloved musical does highlight one thing about us as theater-going people: We love a horny murder guy. Sticking relatively true to what we know and love about the musical as a whole, the revival (which was directed by Thomas Kail) makes it clear that Sweeneys relationship with Mrs. Lovett (a hilarious Annaleigh Ashford) is one that is as sexual as we always thought.

When I say this is a horny production, I mean it. Often, Mrs. Lovett is played as having an unrequited love for Todd. Thats not the case here. He clearly does see her as someone who he wants on his side and it makes for a fascinating production.

Ever wish you could see a show about the creation of Jaws and what happened between Richard Dreyfuss, Roy Scheider, and Robert Shaw? Then The Shark Is Broken might be the perfect show for you. Mainly thanks to how good the cast is at bringing Dreyfuss, Scheider, and Shaw to life.

Ian Shaw, who also co-wrote the play, plays his acting legend father who didnt fully understand the impact that Jaws would make on the world. Colin Donnell plays Scheider who, in his own way, is the mediator of the group. The play dives into Dreyfuss (Alex Brightman) antagonistic relationship with Shaw, which was one of many problems that plagued the films nightmare shoot. This show is short, brilliant, and perfect for any Jaws fan.

A musical that was difficult to watch, Parade has finished its Tony Award-winning run on Broadway. Jason Robert Browns show highlights the real-life story of Leo Frank (Ben Platt), a Jewish man wrongly accused of murdering a young girl in Atlanta. Parade documents Franks determination to return to his wife (Micaela Diamond) despite the rising antisemitism he faces as his trial commences.

While Parade is difficult to watch, the music and the lyrics are beautiful and the show is staged thoughtfully by director Michael Arden. With an all too timely message, Parade was one of the best productions this year.

Do I think this show deserved more love? Absolutely. A Kander and Ebb musical (with an assist from Lin-Manuel Miranda) that was short-lived on Broadway, New York, New York tells the story of Jimmy Doyle (Colton Ryan) as he hustles to be a musician alongside his love Francine (Anna Uzele). It was chaotic, brilliant, fast-paced, and captured the spirit of New York. In my opinion, this show didnt get the love it deserves.

While it was nominated at the Tonys, the show didnt win anything significant enough to get people into seats. Unfortunately, New York, New York closed this summer, but my love for the show remains.

Jessica Chastain spends the entire pre-show spinning around on a massive turntable onstage in this most recent revival of A Dolls House. The Henrik Ibsen play has been performed countless times across the globe, but this sparse one-act production strips away all props, sets, and artifice to rack focus onto Nora (Chastain) and the fear she feels over losing everything.

While the cast included brilliant performances by Arian Moayed (Succession) and Okieriete Onaodowan (Hamilton), the show itself was carried by Chastains Nora. Simple, brilliant, and to the point, it highlighted why A Dolls House remains a part of the theatrical canon.

Another show that deserves more recognition, Here Lies Love is unfortunately closing by the end of the month. But theres still plenty of time for you to see my favorite piece of theatre in a long while. The David Byrne and Fat Boy Slim musical takes us back in time to the Philippines when the Marcos family was in control. Told through an irresistible disco beat, the musical features a dance floor section where fans can experience the magic of the show as Imelda Marcos (Arielle Jacobs) would have whenever she fled to America to ignore her husband.

The music is incredible, and the show is one of the first all-Filipino casts on Broadway. Truth be told, the news that this show is closing is devastating to me. Its a show I heartily recommend and have seen multiple times. Try and see it while you can.

This show featured Oscar Isaac playing instruments, so naturally, I loved it. Lorraine Hansberrys play starred Rachel Brosnahan and Oscar Isaac as a married couple trying so hard to do the right thing that they lose who they are in the process. Its not a perfect play, and some aspects of it dont quite work for a modern audience. Still, the show itself was magnificent to watch.

Transferring from the Brooklyn Academy of Music (B.A.M.) to Broadway this year, The Sign in Sidney Brusteins Window is a must-watch for fans of Isaac and Brosnahan, who share terrific chemistry together.

_______________________________

There are still shows to open this year and some that I havent seen. As of right now, this is my list of the best shows of 2023, and I cant wait to see how it changes by the end of the year!

(featured image: aluxum/Getty Images)

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10 Best Broadway Shows 2023 - The Mary Sue

Categories Leo Frank

What’s going on in and around Newmarket this weekend – NewmarketToday.ca

This weekend, honour our veterans at the Remembrance Day parade and service, shop at local harvest markets, enjoy 'girls day out' at the National Women's Show, and Ladies Night with '90s trivia supporting kids with cancer

Wavestage TheatreCompany's 26th season musical production of Parade, Nov. 9 to 12:Paradetells the true story of Leo Frank, a Jewish man in Atlanta wrongfully convicted of the rape and murder of his 13-year-old employee in 1913. Because the trial was replete with faulty testimony and lacked any clear evidence, Georgias governor eventually commuted his sentence from death to life imprisonment. Despite this ruling, a lynch mob hanged Frank. The case drew national attention to antisemitism and was pivotal to the founding of the Anti-Defamation League, as well as reviving the Ku Klux Klan in the South.Parade has arich, intricate, and wide-ranging score penned by JasonRobert Brown and a bold willingness to dive into the complexities of early 20th-century social relationships in the South. Four performances at NewRoads Performing Arts Centre in Newmarket at 7:30 p.m. For tickets, click here.

Voodoo Pawn Shop at Market Brewing:Voodoo Pawn Shop brings blues with an edge to Market Brewing, 17775 Leslie St., Unit 4, Newmarket from 7:30 to 10 p.m. No cover.

Board Gaming: Join local board game enthusiasts at Cardinal Press Espresso Bar at 200 Main St. Newmarket from 6 to 10 p.m. The games are provided and teachers are available, or you bring your games to teach others. Note from organizers: We don't tend to play a lot of 'traditional' board games such as Monopoly, Clue, Sorry! Let them know what you would like to play when you RSVP and they will bring those games.

Wavestage TheatreCompany's 26th season musical production of Parade:Paradetells the true story of Leo Frank, a Jewish man in Atlanta wrongfully convicted of the rape and murder of his 13-year-old employee in 1913.Parade has arich, intricate, and wide-ranging score penned by JasonRobert Brown and a bold willingness to dive into the complexities of early 20th-century social relationships in the South. At NewRoads Performing Arts Centre in Newmarket at 7:30 p.m. For tickets, click here.

National Women's Show, Nov. 10 to 12: The "Ultimate Girls DayOut" at theMetro Toronto Convention Centre:Friday, Nov.10, 10 a.m. to7 p.m.;Saturday, Nov.11, 10 a.m. to 6p.m.;Sunday, Nov. 12, 10 a.m. to 5p.m. Shop exclusive products you wont find anywhere else, get your goodie bag filled with free samples, sample delicious food and wine, get free hair and beauty mini makeovers, plus see amazing cooking demos, catch the hottest new fashions on the catwalk, join craft workshops, plus see endless entertainment. Tickets $15.75.

Remembrance Day Parade and Service:The Royal Canadian Legion Branch 426 Newmarketand Newmarket Veterans Association will hold theirRemembrance Day service at Veterans Memorial Park atDArcy Street and Church Street. Members of the legion will be forming up at Doug Duncan Drive at 10 a.,m., before marching off at 10:30 a.m. to the park.

Connon Nurseries Autumn Farmers Market:Connon Nurseries, 1870 Davis Dr. West in Newmarket, hosts an indoor market from 10 a.m. to 2 p.m. featuring local food makers and selected artisans. Nestled in thegreenhouse among our houseplants, fresh greenery, and festive plants, you'll meet and find some incredible local businesses offering their products. A great place to stock up on holiday gifts.

Wavestage TheatreCompany's 26th season musical production of Parade:Paradetells the true story of Leo Frank, a Jewish man in Atlanta wrongfully convicted of the rape and murder of his 13-year-old employee in 1913.Parade has arich, intricate, and wide-ranging score penned by JasonRobert Brown and a bold willingness to dive into the complexities of early 20th-century social relationships in the South. At NewRoads Performing Arts Centre in Newmarket at 7:30 p.m. For tickets, click here.

Retro R&B Soul and Funk Dance Party: Greystone, a top GTA revival band, is at 10 Gallon Bar and Grill, 446 Davis Dr., Newmarket, from 8:30 p.m. to midnight. No cover. Get your groove on and move to the music of Aretha, Etta, Ray Charles, BB King, Sam Cooke and more, with a little hot sauce on the side with some funk and rockin' numbers.

Harvest Market:Springvale Church, 3885 Stouffville Rd, Stouffvillehosts "York Region's Most Unique Market" from 9 a.m. to 5 p.m. with more than 70 vendors.

National Women's Show: The "Ultimate Girls DayOut" at theMetro Toronto Convention Centrefrom 10 a.m. to 6p.m.Shop exclusive products you wont find anywhere else, get your goodie bag filled with free samples, sample delicious food and wine, get free hair and beauty mini makeovers, plus see amazing cooking demos, catch the hottest new fashions on the catwalk, join craft workshops, plus see endless entertainment. Tickets $15.75.

Ladies Night '90s Trivia & Dry Bar: The Princess Lily Series partners with Brew It Coffee Bar, 460 Davis Dr., from 6 to 9 p.m. with all proceeds going to gift bags for children with cancer. Admission, $20, includes entry, trivia, non-alcoholic drinks and treats.

Wavestage TheatreCompany's 26th season musical production of Parade:Paradetells the true story of Leo Frank, a Jewish man in Atlanta wrongfully convicted of the rape and murder of his 13-year-old employee in 1913.Parade has arich, intricate, and wide-ranging score penned by JasonRobert Brown and a bold willingness to dive into the complexities of early 20th-century social relationships in the South. At NewRoads Performing Arts Centre in Newmarket at 7:30 p.m. For tickets, click here.

International Jive-The Basics for Your Next Energetic Dance: Simple Social Dancing invites you to come and learn how to dance to music such as Shania Twain's Man, I Feel Like a Woman,rock tunes (think Miley Cyrus Flowers) or Christina Aguileras Candymanand Big Band swing music at Newmarket Public Library, 638Park Ave., from 5 to 6:10 p.m. Registration$5.

National Women's Show: The "Ultimate Girls DayOut" at theMetro Toronto Convention Centrefrom10 a.m. to 5p.m. Shop exclusive products you wont find anywhere else, get your goodie bag filled with free samples, sample delicious food and wine, get free hair and beauty mini makeovers, plus see amazing cooking demos, catch the hottest new fashions on the catwalk, join craft workshops, plus see endless entertainment. Tickets $15.75.

Ontario SPCA Holly Jolly Holiday Auction, Nov. 16 to 26: Santa-Paws is coming to town! Get ready to sleigh on over to the annual Holly Jolly Holiday Auction, starting Nov. 16. With the holidays just around the corner, why not start crossing names off of your list and support animals in need at the same time? Grab a pawsome gift for every member of the family (including those furry friends). Bidding starts Nov. 16 at 5 p.m. Bidding ends Sunday, Nov. 26 at 5 p.m. Bookmark the auction here:https://can.givergy.com/HolidayAuction2023.

Theatre Aurora presents Anne of Green Gables: The Musical,Nov 16 to 25: At Factory Theatre, 150 Henderson Dr. Fortickets, call 905-727-3069.

Marquee Theatrical presents Joseph and The Amazing Technicolor Dreamcoat,Nov 17 to 26: Marquee Theatrical Productions presents the family favourite, adult cast musical Joseph and the Amazing Technicolor Dreamcoat.Told entirely through song ,this fun, toe-taping musical follows the story of the favourite son, Joseph who is sold off to slavery by his 11 jealous brothers.On his journey, Joseph soon finds himself in front of the mighty but troubledElvis-inspiredPharaoh.Joseph finds he can help Pharaoh by interpreting his dreams.This magical musical is full of catchy songs in a variety of styles, from a parody of French ballads, to country-western and calypso, along with the unforgettable classics Any Dream Will Doand Close Every Door.Suitable for the entire family. For more details, seenewtix.ca for multiple performancesat NewRoads Performing Arts Centre in Newmarket.

Curtain Club presents The 39 Steps, Nov 17 to Dec 2: See this spy-thriller-spoofat the Curtain Club Theatre, 400 Newkirk Dr., Richmond Hill. Tickets, $24, 905-773-3434.

Pine Tree Potters Guild Annual Fall Sale, Nov. 17 to 19: Get into the holiday spirit by joining the Pine Tree Potters Guild at their annual fall sale. Choose from thousands of unique creations of functional and decorative porcelain, stoneware and raku pottery created by more than 35 members atthe Newmarket Old Town Hall, 460 Botsford St. New dates and sale hours:Friday, Nov. 17 from 2 to 9 p.m.,Saturday Nov.18from10 a.m. to5 p.m., Sunday,Nov.19from10 a.m. to4 p.m.

Kingcrafts Studio Sale, Nov. 17-19, Nov. 24-27: Shop forone-of-a-kind hand-crafted items from 10 a.m. to 4 p.m., 12936 Keele St., King City, kingcrafts.ca.

Newmarket Santa Claus Parade, Saturday, Nov. 18: Bundle up and bring your family and friends to see the festive holiday floats followed by special guest Jolly Old St. Nick. The Postmark Hotel, 180 Main St. S., is serving complimentary hot chocolate on its patio.Dont forget to bring your letters to Santa to be picked up by Canada Post and your non-perishable food item to be collected for the Newmarket Food Pantry. From 11 a.m. to 1 p.m. on Main Street and Eagle Street.newmarket.ca/santa

Holiday Home Tour, Nov. 17 and 18:Pickering College is hosting itsannual self-guided Holiday Home Tour, presented byPfaff Audi Newmarket, featuring a variety of resplendent, glittering homes, each uniquely themed, designed and decorated for the holidays by local professional designers and florists in York Region.Individual tickets are $55 and a group package of four tickets is available for $200. Your ticket price includes access to all six homes on the tour, in-home snacks and entertainment. Use the codePICKERINGto save $5 off per ticket/package.The Holiday Home Tour is an annual fundraising event for Pickering College and a local charity; this year, Blue Door Leeder Place family shelter.

Pickering College Seasonal Boutique, Saturday, Nov. 18: Join Pickering College for its annual seasonal boutique, featuring a charming array of local vendors showcasing the finest holiday gifts. Prepare to be captivated as you browse through a delightful selection of jewelry, candles, soap, freshly baked goods andgranola, knitted items, hot sauce, woodcrafts, beautiful flowersand more. Free admission, from 10 a.m. to 4 p.m. at 16945 Bayview Ave., Newmarket.

Live at the Met, Saturday,Nov 18:Live At The Met presents X: The Life and Times of Malcolm X at SilverCity, Newmarket or Cineplex Odeon Aurora (222m) - at 12:55 p.m.

CompassCon: Newmarket, Saturday, Nov. 18: With more than 40 vendor tables of geeky goodness including board games, video games, comic books, toys, funko POPs, sports cards, arts and rafts, as well as handmade and collectible items, you won't want to miss the CompassConpop up market atRoyal Canadian Legion Branch 426, 707 Srigley St., Newmarket, from 10 a.m. to 3 p.m.

Holiday Art Show & Sale, Saturday, Nov. 25: Newmarket Group of Artists hosts a holiday art show and sale at the Old Town Hall from 11 a.m. to 5 p.m.

The Newmarket Farmers' Market Annual Christmas Market, Saturday, Nov. 25:Come enjoy some live music while visiting your favourite market vendors and discovering new makers and artisans. from 9 a.m. to 2 p.m. in the Newmarket Community Centre and Lions Club. And remember to bring a food donation for the Newmarket Food Pantry to help out our friends and neighbours in the community.

Keynotes Christmas Concert, Sunday, Nov. 26: Join the Keynotes Seniors Choir as they present their Sounds for the Season concert. Enjoy familiar favourites, seasonal selections, novelty numbers, sacred choral works, and toe-tapping rhythms, as well as a guest musician or two providing some musical cheer. Newmarket Seniors Meeting Place hosts the free concert at2 p.m., pre-registration is not required.

Tapestry Chamber Choir Gifts and Giving Concert, Dec. 3: Enjoy an afternoon of inspiring choral music at 4:30 p.m. at St. Paul's Anglican Church, Church Street, Newmarket. tapestrychoir.ca

Seniors Christmas Social Tea, Sunday, Dec.3:Spend a festive afternoon enjoying music, light refreshments, tea and coffee, door prizes and a great group of friends from 2 to 4 p.m. at Newmarket Seniors Meeting Place, 474 Davis Dr.Register by Nov.29 with registration code 17696 at newmarket.perfectmind.com. Members $5, non-members $6 Seenewmarket.ca/adults55+ for more details.

Season of Light Christmas Concert, Saturday, Dec. 9:Encore!presents a choral concertat 3 p.m. at Bethel Community Christian Reformed Church, 333 Davis Dr. (at Lorne Ave.) in Newmarket with conductor Dee Lawrence, accompanist George Vandikas and guest instrumentalistsKaipa Bharucha, flute, Jenny Liu, violin, Isaac Chan, cello.Tickets$25 adults, $20 seniors/students. Call 416-402-4409

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What's going on in and around Newmarket this weekend - NewmarketToday.ca

Categories Mary Phagan

What I learned about my Jewish identity while performing in the … – The Canadian Jewish News

For the last five months, Ive been stepping into the shoes of a Jewish woman whose husband was lynched for a murder he did not commit.

Parade, a musical written and performed on Broadway in the late 1990s, tells the devastating and true story of Leo Frank, a Jewish New Yorker who lived and worked in Atlanta, Georgia in the early 1900s. In 1913, he was falsely accused of murdering 13-year-old Mary Phagana worker at the National Pencil Company where Frank was a supervisor. Since there was no evidence to support the claim that Frank committed the murder, his sentence was commuted from death to life imprisonment. However, he was later kidnapped from his cell and hanged by a mob. I play Lucille Frankthe woman who had to watch her innocent husbands lynching.

In Parade, it is clear from the start that Leo embraces his Jewishness. He refuses to change any aspect of himself in order to fit in among the Southerners, using Yiddish words like meshuggeneh in the opening scene. Lucille keeps her Jewishness hidden and doesnt understand why Leo uses Yiddish words.

When I perform this scene as Lucille, I cant help but feel that she wants her family to live as Jews of discretion, an idea from the film Call Me By Your Name that replays in my head every time I step on stage.

Growing up in Thornhill, a heavily Jewish suburb just north of Toronto, I find myself relating to Leo. I went to Jewish schools and summer camps, and my family hasnt missed a Shabbat dinner since I was born. In my family, the Jewish holidays are unfailingly a balaganthe Yiddish term for chaos. I have always welcomed this chaos, as this is a time for my family to celebrate our Jewish identity. I even found my way into the Jewish school system in my professional life, teaching high school drama. I wear my Jewishness proud.

These days, though, I find many in my community relating more closely to Lucille.

Ive lived in downtown Toronto for over three years. I have seen countless protests, rallies, and politically motivated messages plastered around the city. These things never really phased me.

Over the last few weeks, however, these messages have shifted. I have seen swastikas, messages calling Jews pigs, and almost worst of all, images of Jewish kidnap victims being torn down.

One of my closest friends told me that she took her mezuzah down. Another told me she hides her Star of David necklace on the subway. In 2023.

These days, as much as I want to wear my Jewishness loud and proud, I catch myself feeling as though its safer to be like Lucille.

Since Oct. 7, Ive felt a greater weight when working on Parade. Ive been reminded of the consequences of complacency, and that antisemitism truly doesnt care whether a Jew observes Shabbat or the High Holidays. A Jew is a Jew.

I am fortunate to have non-Jewish friends in my life who have reached out to me with care, particularly when there was a verbal threat of violence against the Jewish school where I teach.

Ive also seen many non-Jews remain silent. I almost dont blame them. For many, calling out antisemitism, it seems, is a controversial proclamation which excuses all the actions of the Israeli government.

In light of this, it often feels like Jews dont count in mainstream activism. Its hard for some people to see Jews as a marginalized group. The Holocaust occurred over 75 years ago, and many Jews have enjoyed exceptional success since then.

However, Leo Frank was lynched in 191524 years before the Jews faced a genocide that they still have not recovered from.

Leo Frank was lynched 108 years before I walked past a swastika on my way home in Toronto.

Parade is on stage Nov. 9-12 at NewRoads Centre for the Arts.

Jesse Levy is a teacher and actor based in Toronto.

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What I learned about my Jewish identity while performing in the ... - The Canadian Jewish News

Categories Leo Frank

The worst eruption of antisemitism in American history – JNS.org

(October 31, 2023 / JNS)

The United States is experiencing the most explosive and dangerous eruption of antisemitism in its 250-year history. Indeed, it is absolutely unprecedented in American life. Never before have thousands of people gathered to support the mass murder of Jews with open calls for the annihilation of the Jewish state.

Worst of all, perhaps, this is the first and only form of any organized hatred in the U.S. that has been exterminationist in intent. Not even the most abhorrent Confederate supporters of slavery assembled to call for the extermination of all black people.

Certainly, there have been elements of anti-Jewish bigotry in America since colonial times, but they would barely register compared to today. A cursory look at history reveals as much.

Until the middle of the 19th century, mainstream Protestants were more anti-Catholic than anti-Jewish. Since there were so few Jews in America back then, its not surprising that this was the case.

The most infamous official act of American antisemitism in the 19th century was General Ulysses S. Grants Order No. 11, issued during the Civil War, to expel Jews from the border states. President Abraham Lincoln immediately revoked it and chastised Grant. The order never went into effect. No Jew was ever expelled. Grant later called it the most regrettable act of his life. He went on to become one of the most pro-Jewish presidents in American history.

In 1881, Russias Tsar issued the May Decrees, which were designed to expel Russias Jews by making life there impossible for them. It triggered a wave of emigration that saw 2.5 million mostly penniless Jews arrive in America by 1914.

The still small and well-established native-born American Jews feared such huge numbers would spark a dangerous antisemitic backlash. For the most part, it didnt. The worst recorded act of violent antisemitism was the widely publicized 1919 Georgia lynching of Leo Frank, a Jew falsely accused of murder. There were no acts of mass violence against Jews.

Henry Ford is well known to this day as one of the most powerful antisemites in American history. What is less known is that Ford ultimately repudiated his loathsome views and closed down the Dearborn Independent newspaper he used to espouse them. Ford denounced Hitler early on for his persecution of Jews and was later a leading donor to Jewish organizations.

Not even Father Charles Coughlin, whose popular radio broadcasts blamed the Jews for every ill under the sun, came close to being an exterminationist antisemite. When the Catholic Church finally censured him for his bigotry, he quickly fell into oblivion.

The most frequent expressions of what we insulated Americans used to consider antisemitism were the fancy hotels that banned Jews, the numerus clausus that limited the number of Jews at top universities and the country clubs that denied membership to Jews.

Today, this seems quaint compared to the outpouring of support for Hamass Oct. 7 rampage of antisemitic mass murder and crimes against humanity.

What makes this celebration of the slaughter of Jews still more terrifying is that its led by some of the best-credentialed elites in our society and has attracted many young people.

These sophisticated supporters of genocide cloud their exterminationist intentions with euphemisms like Decolonize Palestinewhich means rid it of Jews. Free Palestine surely cant mean Free Gaza since its been entirely Judenrein since 2005.

Never before in history has America elected anyone to Congress who dared support groups seeking the extermination of the Jews. Today, some half a dozen members of Congress either openly support Hamas or refuse to condemn it.

Just as Israel can no longer tolerate Hamas, neither can we tolerate its supporters. Whoever defends or justifies Hamas must not just be condemned. They must be shamed, shunned and expelled from civil society.

The longer such diabolical voices are amplified by a collaborationist media and go uncondemned by leaders of their own political party, the louder their voices and the larger their numbers will become. This would constitute not just an existential threat to Americas Jews, but to America itself.

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The worst eruption of antisemitism in American history - JNS.org

Categories Leo Frank

Civil Rights Journey With Etgar 36 | JewishBoston – jewishboston.com

This February, travel down south with teens and peers from the Greater Boston community on a civil rights trip led by Etgar 36!

Never miss the best stories and events for families, children and teens! Get JewishBoston Plus Kids.

Learn about the struggles of African Americans to gain equality in the 1950s and 60s as well as discover how Jews were involved in the civil rights struggle. The trip will include visits to Atlanta, Montgomery, Selma and Birmingham. We will visit the Equal Justice Initiative Legacy Museum and Memorial to the victims of lynching, Freedom Park, the site where Leo Frank was lynched, the Rosa Parks Museum, the Martin Luther King Center/Auburn Avenue district, Ebenezer Baptist Church, walking across the Edmund Pettus Bridge and the 16th Street Baptist Church.

Fact Sheet

When

From Tuesday, February 20, 2024 at 8:00 am Until Thursday, February 22, 2024 at 8:00 pm

For whom

Price

$1,000.00 Everything included

CJP provides the above links concerning third-party events for your convenience only. CJP has no control over the content of the linked-to websites or events they describe, and accepts no responsibility for the websites, including any advertising or products or services on or available from such sites, or for any loss or damage that may arise from your attending, or registering to attend, the described events. If you decide to access any of the third-party websites linked to below, you do so entirely at your own risk and subject to the terms and conditions of use for such websites and event attendance. CJP is not responsible or liable to you or any third party for the content or accuracy of any materials provided by any third parties. All statements and/or opinions expressed in the linked-to materials or at the described events, and all commentary, articles and other content provided at the third-party websites or at the events, are solely the opinions and the responsibility of the persons or entities operating the linked-to websites and events. The inclusion of any link on this website does not imply that CJP endorses the described event, or the linked-to website or its operator. MORE

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Categories Leo Frank

Daniel Boorstin Against the Barbarians – The Imaginative Conservative

Yet more than any other consensus historian, Daniel Boorstin counter-attacked radical New Left critiques. He was unabashedly patriotic, and his books are works of wonderment and curiosity about America, its land, and its people.

In 1994, on the PBS program Think Tank, Ben Wattenberg hosted a debate on the topic Who Owns History? The impetus for the debate was the recent anniversary of Columbuss arrival in the Americas and the Smithsonians Enola Gay exhibit on the dropping of atomic bombs during World War Two. Both ignited controversies, as new histories portrayed Columbus as initiating an era of brutal oppression and extermination and critics condemned the immorality of using atomic weapons. The debate rocked back and forth as contributors spoke of the practice of history in the United States. One of the participants was the historian and former Librarian of Congress Daniel Boorstin. I think that we should take the opportunity to celebrate the possibilities of human nature, which is what we do when we celebrate a hero, Boorstin declared. And I think Columbus was a hero, because he had those qualities of human nature which made for greatness: opening the world, bringing the world together and showing courage; an ability to use the knowledge of his time, which he was well acquainted with; and applying it with the technology available to enlarge the experience and capabilities of the human race. His opposing interlocutors vehemently disagreed and considered his portrayal simplistic in ignoring the great harm of European arrival in the Western Hemisphere and, more broadly, minimizing the role of women, African-Americans, and others in shaping American history. We have moved past that type of history practiced decades ago, the historian Eric Foner answered, where the United States was the sort of onward march of progress and freedom for the world.

What appeared a friendly television debate reflected a deeper divide within American historiography going back to the 1950s. Daniel Boorstin and other historians like Louis Hartz and Richard Hofstadter wrote post-World War Two consensus history, where unconscious assent among Americans about certain political, economic, and religious truths meant that European radicalisms never took root in the US. By the 1960s, this view was fiercely contested by New Left historians embedded in the anti-Vietnam War, civil rights, and counterculture movements. For these younger radical historians, the American story was not a consensus of values but the struggle for rights. The conflict school of history eventually won over the academy and by the 1990s the venerable Boorstins Custer-like performance on Think Tank aptly demonstrated the scale of victory.

Yet more than any other consensus historian, Daniel Boorstin counter-attacked radical New Left critiques. He was unabashedly patriotic, and his books are works of wonderment and curiosity about America, its land, and its people. The United States was not flawless, he reminded critics, but the obsession with its inadequacies blinded us to its magnificence. I think its important that we not be Utopians The alternative to that is a perfect system in which everyone is equal to everyone else and everyone is flourishing in peace. When New Left historians punched at his assertions, he punched back and satirized them savagely. One hears familiar melodies in his tilts with the New Left. They are the roots of todays culture wars.

The son of a Jewish Georgia lawyer who fled to Oklahoma because of his unpopular role in the 1915 Leo Frank case, Daniel Boorstin studied at Harvard and Oxford, and by the late 1930s became one of the few Americans to become a British barrister-at-law. It was also in England where he first encountered Communism and briefly became a party member: Nearly everyone I knew in those days who was interesting humanly or intellectually was leftist and thought they had a duty to do something about the state of the world. He left the party in 1939 and through his teaching and scholarship became increasingly conservative. But his former Communist affiliations followed him and in 1953 he testified before the House Committee on Un-American Activities. Revolting against his Marxist past, like so many ex-communists in those years such as Whittaker Chambers and James Burnham, he insisted that no college or university should hire communists. Anyone who teaches should be intellectually free from ideological dogma and systems of thought. Party membership and his HUAC testimony was a defining moment for Boorstin (and his critics) and it deeply shaped his perception of American history.

The same year he appeared before HUAC, Boorstins published The Genius of American Politics and it remains a fascinating and controversial text assessing the American past. For Boorstin, America was pragmatic rather than ideological from its colonial birth, shaped by its land and history rather than European political and religious philosophies. Two basic ideas informed this understanding: Givenness and Seamlessness. The United States had a givenness in its unique geography and history that inhibited abstract dogmas from taking hold. North America was fruitful but perilous, and the realities of survival and settling communities gave to Americans a practical bent that adapted ideas to the environment, rather than attempting to mold the environment to a priori abstractions. Independence, equality, and liberty, we like to believe, are breathed in with our very air, Boorstin explained. No nation has been readier to identify its values with the peculiar conditions of its landscape Our belief in the mystical power of our land has in this roundabout way nourished an empirical point of view; and a naturalistic approach to values has thus, in the United States, been bound up with patriotism itself. This pragmatic givenness became part of American history as a gift from the past, was embodied in present-day political institutions, and connected past and present through the continuity of experience. Thus, he explained, It is the quality of our experience which makes us see our national past as an uninterrupted continuum of similar events, so that our past emerges indistinguishably into our present.

The givenness of the American experience seamlessly and organically linked all of life and encompassed institutions and practices, so that few boundaries separated politics, culture, religion, and economics. All were infused with the American pragmatic ethos. This seamlessness was demonstrated across space, so that institutions were a reflection of the environment that birthed and sustained them. It was also expressed across time: Most of what we see of our past reinforces our feeling of continuity and oneness with it. This stood in dark contrast to European history with its bloody revolutionary breaks with the past, like the French Revolution. Frequent violent upheavals based on abstract ideologies mystified Americans, Boorstin suggested. Think of soldiers in World War Two facing German Nazism and Italian Fascism, or closer to home in the 1950s citizens opposing Soviet communism (of which Boorstin had intimate knowledge):

The American who goes to Europe cannot but be shocked by the casualness with which Frenchmen or Italians view the possibility of violent change in their society For the European the past, and therefore the future, seems a kind of grab bag of extreme alternatives. Because for us the past is a solid stalk out of which our present seems to grow, the lines of our future seem clearer and more inevitable Our history inclines us, then, to see fascism and nazism and communism not merely as bad philosophies but as violations of the essential nature of institutions. To us institutions have appeared as a natural continuum with the non-institutional environment and the historical past. From this point of view, the proper role of the citizen and the statesman here is one of conservation and reform rather than invention.

Therefore, Americans were natural conservatives, suspicious of grand ideological plans to remake humanity or society, and if change must come it should be evolutionary rather than revolutionary.

The result of American givenness and seamlessness was a broad consensus on American values and a belief in the essential goodness of its institutions. When Americans debated, it was not over fundamentals, but the application of given truths emanating from shared experience. Look at the 1952 election between Dwight Eisenhower and Adlai Stevenson. This was not a vibrant contest over essentials, but a civil disagreement over the interpretation of givens. Both Democrats and Republicans have, on the whole, the same vision of the kind of society there ought to be in the United States, wrote Boorstin. They differ only over whether that kind of society is more likely to be attained by much or little aid to western Europe, by much of little regulation of labor unions, by one or another form of taxation or by Republicans or Democrats holding office. Revolution and violence were infrequent because Americans agreed upon so much.

How then did Boorstin explain the major conflicts of American history? In Genius, he tackled Puritan New England, the American Revolution, and the Civil War to illustrate his thesis. Puritans came to New England in 1620s and 1630s armed with the zealous religious certainty, but they did not make Massachusetts a Puritan paradise. The harsh New England environment and challenge of building permanent communities on a hostile fledgling frontier forced them to adapt. Historians traditionally look at American Puritanism across the seventeenth century as the story of decline, but it was instead assimilation to a new environment. It was never a battle with the Devil: Puritanism in New England was not so much defeated by the dogmas of anti-Puritanism as it was simply assimilated to the conditions of life in America. Never was it blown away by the hurricane. It was gradually eroded by the American climate. Similarly, the American Revolution was not the story of diametrically opposed sides, Patriots versus British, Revolutionaries versus Tories. The American Revolution was no revolution but merely a colonial rebellion, Boorstin wrote. Americans clung to traditional English liberties they believed were threatened by innovative parliamentary laws and raised a rebellion to protect them. They were fighting not so much to establish new rights as to preserve old ones. It was not a revolution and Americans wrote no important philosophical texts laying out a distinct new ideology. Boorstins understanding of the American Revolution mirrored that of Russell Kirks Conservative Mind, published the same year. Indeed, Boorstin and Kirk developed a friendship after publication of Genius.

Fitting the Civil War into Boorstins consensus thesis took some contorting, not all of it convincing. It was an intra-federal dispute, he claimed, not over the rightness of the Constitution but over rights within a federal system. Just look at the wide areas of consensus between North and South: the Confederates accepted the Declaration, adopted the Philadelphia constitution almost in whole, and used the language of Jefferson and Madison to explain their course. Paradoxically and tragically, the War demonstrated more consensus than conflict: The North and the South each considered that it was fighting primarily for its legal rights under the sacred federal Constitution. Again, no great work of original political philosophy emerged either before or after the Civil War, a strong signal of American consensus. Calhoun came the closest to innovation in his Disquisition and Discourse, but he grounded both works in the American tradition without wandering dangerously into abstract European waters. For Boorstin, the Civil War was unproductive of political theory. This, the bloodiest single civil war of the nineteenth century, was also perhaps the least theoretical. Even in this moment of national immolation, the theme of consensus overwhelmed that of division and conflict.

Boorstin continued these themes in his three part The Americans series: The Colonial Experience (1958), The National Experience (1965), and The Democratic Experience (1973). As an elaboration on themes explored in Genius, they detailed Boorstins perception of what mattered in American history. Chapters brim, not with ideas, ideologies, philosophies, theologies, or political and religious doctrines, but with inventions, innovators, businessmen, products that improved the quality of life, technology, and the practical details of everyday life. It was social history in the cause of consensus. He was interested in the effects of condensed milk and air conditioning. Americans were a hard-headed, realistic, practical people, and Boorstin dispatched examples of discord and protest in their history. He had little patience for transcendentalists, abolitionists, cantankerous writers like Thoreau (whom he called a vagrant), socialists, or Marxists. They were outsiders who had little to say about the non-ideological main currents of American life, like middle-class Americans who got married, raised families, did their jobs, and improved their communities.

With the advent of the 1960s, a wave of rising young New Left historians revolted against consensus understandings of American history, picturing it as the historiographical equivalent of Leave it to Beaver complacent, blinkered, and stultifying. Instead, they examined the past and saw violence and the struggle against oppression, a direct reflection of New Left historians political and social activism in protest movements of the decade. Consensus historians deliberately ignored the persistent strain of conflict in history to maintain systems of privilege and the status quo, they claimed. As historian David Donald observed in 1970, The new generation of historians sweepingly condemns all Consensus scholars for accepting, and even eulogizing, a society where poverty is tolerated because it is presumed to be transient; where racial discrimination is permissible because it too will pass away; where political conflict is muted, since everybody agrees on everything; and where foreign adventurism is acceptable since politics stops at the waters edge.

For the New Left, the story of America was not Friday night at the Lions Club in some Midwestern town, but violent labor strikes, protests in the streets, and civil (or uncivil) disobedience against unjust laws. In the hands of these historians, the American historical narrative flipped. The American Revolution was now a world-historical event with radically egalitarian import, the Constitution cover for racist planters and the perpetuation of slavery, and the Jacksonian era a story of the political awakening of the working-class and courageous activism by abolitionists like Douglass and Brown. Boorstins peripheral outsiders became the center of attention. There was no consensus between Americans, only a continuous battle for rights and material goods. The culmination of this scholarship was in many ways Howard Zinns Peoples History of the United States (1980), which reads as a two-century chronicle of oppression and almost continual socio-economic war.

Attacks on Boorstin were pointed and successful. Consensus history was denounced as unserious popular history, more suited to the middle-class homes Boorstin lionized than the halls of academe. Some critics viewed him as too conservative, morally complacent, content with the status quo, New York Times journalist Robert D. McFadden wrote. Dr. Boorstins curiosity, mental agility and inclination not to suffer fools led some associates to call him arrogant and elitist. Anti-war protesters dogged him at the University of Chicago and radical students organized boycotts of his classes. They viewed his HUAC testimony as McCarthyism and treachery. When he condemned identity-based academic studies departments as divisive and unreflective of the American experience, calls of racism fell upon him. By the 1970s one historian remarked that Boorstin is now pass among most professional historians. Rather than accepting their barbs, he counter-attacked, defending his perspective and critiquing theirs. Fellow historian and friend Edmund Morgan recalled:

Boorstins scorn for ideologies and conformity may have owed something to his own brief flirtation with Marxism as a student at Oxford, where in the 1930s the Communist Party had been home to virtually every aspiring intellectual. His reaction against it extended to the neo-Marxist ideologies that drove many of the student organizations devoted to challenging established authority in the 1960s. But he was equally scornful of those who made a vocation out of discontent, without any concern beyond the taste of power that protests gave them.

His rejoinder came in three bursts, all in print: a 1969 article for Esquire The New Barbarians, The Decline of Radicalism (1969), and The Sociology of the Absurd, or The Application of Professor X (1970).

In The New Barbarism, Boorstin excoriated 1960s student protestors as falling outside the American tradition. Radicalism in the 1930s the Old Left, which he once joined at least had a partially positive impact on American life by focusing attention on genuine economic problems in the midst of the Great Depression. This was a radicalism that made coherent arguments. If misguided in its socialism, the Old Left searched for meaning, discussed social and political fundamentals, and offered plans for new foundations. Every radicalism is a way of asserting what are the roots, he explained. Radicalism, therefore, involves affirmation The radical must affirm that this is more fundamental than that. Genuine radicalism also defends community: It affirms that we all share the same root problems, that we are all in the same boat, though the radical may see the boat very differently than do others. Boorstin suggested that real radicalism is sometimes helpful in the long run, backpedaling from his earlier dismissals of radicals in American history.

Todays student movement had none of these characteristics, Boorstin wrote. Instead, 1960s protestors were self-regarding barbarian nihilists, more interested in performance and power than reform. Their basic impulses leaned toward destruction for destructions sake: What makes a radical radical is not that he discomfits others but how he does it. A drunk is not a radical, neither is a psychotic, though both can make us feel uncomfortable. In this sense, they were not radical at all, but barbarians invaders bent on sacking the establishment and its institutions rather than changing them for the better. Real radicals meditated on ideas; the barbarians replaced meditation over Marx with the direct action of Mao and Che Guevara: They find nothing so enchanting as the sound of their own voices, and their bibliography consists of the products of their own mimeographing. They seem to think they can be radicals without portfolio. To use a familiar phrase from todays debates over liberalism, 1960s radicals didnt do the reading.

The young New Barbarians demanded everything revolve around them. This was not an expression of American individualism, it was an adolescent need for attention and a spiritual Ptolemaism. For all their rhetoric, they were not egalitarians, but egolitarians, preening the egotism of the isolated self A movement from the community-centered to the self-centered. Since everything orbited around the self, the barbarians neglected reason and preferred emotivism. Now, the best ideas were not rationally argued but shouted the loudest. Their preferred punctuation was not a question mark, but the exclamation point.

This emotivism felt good if it feels good, do it and the barbarian sought individual sensation rather than shared experience. In other words, recalling Boorstins emphasis on experience in his earlier work, there was something essentially un-American about these 1960s protest movements. We share experiences and those shared moments are our history. When we have an experience, we enter into the continuum of society. But individual sensations are personal, private, confined, and incommunicable, merely inward-looking feeling that affirms and emphasizes the self. This flight from experience and community represented a fundamentally fearful impulse, a paranoid unwillingness to surrender the self for others. The search for sensation is a search for some way of reminding oneself that one is alive but without becoming entangled with others or with a community. Barbarians believed that community was the death of individual identity and a source of tyranny.

There are times when Boorstin anticipated twenty-first century realities. He saw in 1960s emotivism and the search for new sensations the growing need for instantaneousness. Every urge must be met immediately with no waiting required. It was hardly a surprise, he observed, that in an age of hallucinogenic narcotics giving individuals immediate gratification, the political impulse was one of impatience. [The New Barbarians] deny the existence of time, since Sensation is instantaneous and not cumulative. They herald the age of Instant Everything Every program must be instantaneous, every demand must be an ultimatum. The New Left its political activists and academics was the LSD of the intellectuals.

The New Barbarians was reprinted in Boorstins Decline of Radicalism, also in 1969. In that volume, he also reprinted an October 1967 speech entitled Dissent, Dissension, and the News given to an Associated Press meeting at the height of Vietnam protests. Here again, he attacked the 1960s student movement as outside the American tradition. Americans welcomed disagreement and the nations democratic structures institutionalized this in elections and free speech rights, he said. But these protest movements were not those of disagreement, but dissent. Disagreement is a sign of national health because it is based on shared assumptions. Dissent is a sign of national illness because it signifies existential power battles over the meaning of the nation itself. Disagreers ask, what about the war in Vietnam? Dissenters ask, what about me? Disagreers seeks solutions to common problems, dissenters seek power for themselves. Much like he suggested in Barbarians, 1960s protesters were something new and dangerous.

Boorstin directly challenged New Left conflict historians and their representation of the past. Recent scholarly attention to violence, revolts, and episodes of dissent in US History distorted that history: There never is quite as much dissent as there seems. He called this scholarly tendency The Law of the Conspicuousness of Dissent. We focus on the few hundred who dissent and overlook the millions who assent, seeing celestial significance in the former and insignificance in the latter. This gives an entirely unrepresentative picture of the past and plays up the ephemeral at the expense of the central: Carry Nation smashing up a bar makes much more interesting reading and is more likely to enter the record than the peaceable activity of the bartender mixing drinks. But this may lead us to a perverse emphasis Out interest tends to be focused on the cataracts, the eddies, the waterfalls, and the whirlpools. But what of the main stream? Two years before President Nixon gave his Silent Majority speech, Boorstin was making the case for Silent Majority scholarship. Pay attention to the middle-class bartender, not the obnoxious prohibitionist.

Media changes in the 1950s and 1960s encouraged the coverage of dissent. Newspapers and television competition led to a focus on conflict, amplified bad news, and gave the impression of constant turmoil. It is an easier job to make a news story of men who are fighting one another than it is to describe their peaceful living together, he chastised AP editors. The new media was biased towards the good shot, breaking news, and this just in. The hourly news cycle of constant reporting began, journalists looked for stories to fill space, newspapers published more opinion columns and pursued opinion polling (impressing upon people the necessity of having an opinion about everything), all of this hardly conducive to reflecting the general quiescence of most Americans. It is hard to imagine Boorstins reaction to todays social media-driven/cable news cycle, which was only beginning to proliferate when he died in 2004. The media and the 1960s New Left told the same story: that conflict rather than consensus was the American story.

At the heart of New Left scholarship was the issue of identity, Boorstin wrote, the right to retain your differences, and that the good American was partly immigrant, partly foreign, or partly other. This tendency became increasingly common after World War Two, particularly in politics. Witness, for example, John F. Kennedys emphasis on his Irishness. New Left scholars pushed further and placed emphasis on minorities over majorities, difference, and separateness, and soon a whole humanities and social science literature rose to expand upon this. People in small groups were reminded that they had a power and a locale which they had not so precisely known before. They began to deliberately try to sound different, to dress different, to act different from other Americans, and to demonstrate they were part of a separate group. Changes in technology like the concentration and computerization of information allowed small groups to effect outsized change one tiny but well-located protest could shut down a university. What he called minority-veto psychology altered the relationship between individuals and between individuals and institutions. Democracy itself was redefined. Small groups have more power than ever before. In small numbers there is strength. And this, in turn, results in the quest for minority identity. To be identified with a minority outside the American consensus was now highly desirable and a sign of authenticity.

This desperate quest for identity and difference was a primary part of New Left dissent. Yet the rage to be different was meaningless. The belief in the intrinsic virtue of dissent was, in reality, Dissent for dissents sake. This conformity of non-conformity answered no questions, solved no problems, nor made complexity more understandable. It lived on dissension alone. Dissent was a type of internal secession tearing apart societies and making it impossible for people to live with one another.

In 1970, Boorstin turned from commentary to satire in Sociology of the Absurd. This small book reads as a failed grant application at the Institute for Democratic Studies by a group of sociologists collectively named Professor X. Boorstin mockingly wrote it to illustrate where New Left activist scholarship was inevitably leading.

The application proposed a new social measurement called the Ethnic Quotient, or EQ for short, to reflect the growing awareness of the importance of ones ancestors to our individual situation. As our social scientists have shown, the more remote the time and place the more deeply and permanently have their influence become ingrained in the soul (in the new ethnic sense). And the more essential it is then that each persons ethnic origins be marked off and measured by the best available quantitative techniques. True, this new sense of identity could be solved by each ethnic and racial group having entirely segregated social spaces, but the complications were too great, like a near-insoluble problem in finding enough Belgian teachers for young Belgo-Americans and the difficulties of people with complicated mixed ethnic backgrounds. It would be a violation of the integral personality of a child to require him to attend a school whose ethnic makeup was not the same as his own, Boorstin added wryly.

The solution was Ethnic Proportionalism. A complicated social scientific formula would give each American an EQ number to be placed on their Social Security card, a permanent number since ancestry never changes. It is expressed in initials and percentages, like G75:IT15:EN10, meaning German 75%, Italian 15%, and English 10%. EQ values could be put to many practical uses, the application suggested, like the division of education time among an individuals ethnic makeup, revision of school lunch programs along appropriate ethnic lines, and the personal enjoyment of various ethnic-appropriate holidays.

Along with the EQ, there was also the Merit Quotient, or MQ. Think of this as intergenerational bookkeeping to more effectively address historical injustices, Boorstin explained. An MQ number (also on your Social Security card) reverses the Christian idea that justice lies in the future, that your just reward will come in heaven, and instead asserts that justice lies in the past as a kind of Progress Through Regression.

All the past injustices (in our Pre-Life) must be balanced by adequate present compensations Therefore, the persons who (in their ancestors) most suffered or were most disadvantaged in the past, must be specially privileged and advantaged in the present. Contrariwise, those who were overprivileged in the past (in the persons of their ancestors) must have their historical balance rectified by being made underprivileged in the present.

MQ is on a simple 0-100 scale. To have an M.Q. of 100 it would be necessary for all a persons ancestors to be victims of genocide, and presumably even before any of them had had the pleasure of procreating children. One could, however, have a minus MQ: That simply means that the persons ancestors have, totally speaking, accumulated more pleasure and privilege than pain and suffering. Pains and sufferings are a plus, pleasures and privileges are a minus, and the dominant purpose is simply to see how much merit has been acquired by the individual in this way, so we can assess his fair and proper special claim now to the goods, services, and honors of our present-day society.

MQ was a complex total ancestor calculation and Boorstin actually presented readers with the equation. It accommodated both man-made oppression and natural disasters, as well as all the benefits felt by the wealthy and privileged throughout time. Like EQ, MQ never changes since the experiences of ones ancestors never change, nor can present-day intelligence or hard work alter it. MQ cannot be altered one iota by other personal qualities of talent, education, or character, by achievements or crimes. All these later items, as we know, are anyway nothing but the product of all those past forces. MQ could also find many practical uses, like college entrance and job applications. A single handy precalculated M.Q. will save time, money, paperwork, and red tape. It will also remove the bases of the old accusations of unfair discrimination, partisan patronage, and racial and religious prejudice, which characterized the mid-century so-called merit system. EQ and MQ will help destroy status and hierarchy (Social Non-Differentiation) in all institutions like universities. In fact, we need to create a new Universal University with the slogan All Things to All Men Including Women and Children! It would be universal in that it performed new social functions, like settlement house (in the Jane Addams tradition), employment agency, sexual experimentation laboratory, remedial-reading clinic, psychiatric ward, and, of course, training area for revolutionary strategy and tactics.

Boorstins criticism and satire of the New Left earned him lasting scorn. Fed up with student harassment at the University of Chicago, he left academia in 1969 and worked for the Smithsonian. In 1975, President Ford nominated him for Librarian of Congress and although some academics and Library employees protested his appointment, he was confirmed and served until 1987.

David Boorstin appeared on Think Tank in 1994 as an aging unrepentant war horse of historiographical battles almost a half century old. When pressed on the state of history in the 1990s and his own older consensus interpretation, he reiterated the message of his entire professional life:

I think what we should aim at is a human history. And I think that, insofar as the champions of different minority histories have set up their own departments and their own lectureships and courses, they have tended to divide history to separate us from one another I think what I would call the divisive or so-called minority approach what Arthur Schlesinger calls the disuniting of America by the rewriting of our history. I think that moves in the wrong direction I think that to take a proportional representation approach to history seems to be, to me, misguided If were concerned with civilization and culture and [the] tradition of rights embodied in the common law and in our Constitution, we cannot apportion the role of people according to the number of them who exist. Its not a demographic question. Its a cultural question.

Consensus history is well and truly dead in academic scholarship, although some have argued convincingly that the fruits of conflict history are the new consensus. But Boorstin is still worth reading and if he too often simplified complexities in American history, there is nonetheless a good measure of prescience in his works.

This essay was first published here in June 2022.

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