Categories Leo Frank

Daniel Boorstin Against the Barbarians – The Imaginative Conservative

Yet more than any other consensus historian, Daniel Boorstin counter-attacked radical New Left critiques. He was unabashedly patriotic, and his books are works of wonderment and curiosity about America, its land, and its people.

In 1994, on the PBS program Think Tank, Ben Wattenberg hosted a debate on the topic Who Owns History? The impetus for the debate was the recent anniversary of Columbuss arrival in the Americas and the Smithsonians Enola Gay exhibit on the dropping of atomic bombs during World War Two. Both ignited controversies, as new histories portrayed Columbus as initiating an era of brutal oppression and extermination and critics condemned the immorality of using atomic weapons. The debate rocked back and forth as contributors spoke of the practice of history in the United States. One of the participants was the historian and former Librarian of Congress Daniel Boorstin. I think that we should take the opportunity to celebrate the possibilities of human nature, which is what we do when we celebrate a hero, Boorstin declared. And I think Columbus was a hero, because he had those qualities of human nature which made for greatness: opening the world, bringing the world together and showing courage; an ability to use the knowledge of his time, which he was well acquainted with; and applying it with the technology available to enlarge the experience and capabilities of the human race. His opposing interlocutors vehemently disagreed and considered his portrayal simplistic in ignoring the great harm of European arrival in the Western Hemisphere and, more broadly, minimizing the role of women, African-Americans, and others in shaping American history. We have moved past that type of history practiced decades ago, the historian Eric Foner answered, where the United States was the sort of onward march of progress and freedom for the world.

What appeared a friendly television debate reflected a deeper divide within American historiography going back to the 1950s. Daniel Boorstin and other historians like Louis Hartz and Richard Hofstadter wrote post-World War Two consensus history, where unconscious assent among Americans about certain political, economic, and religious truths meant that European radicalisms never took root in the US. By the 1960s, this view was fiercely contested by New Left historians embedded in the anti-Vietnam War, civil rights, and counterculture movements. For these younger radical historians, the American story was not a consensus of values but the struggle for rights. The conflict school of history eventually won over the academy and by the 1990s the venerable Boorstins Custer-like performance on Think Tank aptly demonstrated the scale of victory.

Yet more than any other consensus historian, Daniel Boorstin counter-attacked radical New Left critiques. He was unabashedly patriotic, and his books are works of wonderment and curiosity about America, its land, and its people. The United States was not flawless, he reminded critics, but the obsession with its inadequacies blinded us to its magnificence. I think its important that we not be Utopians The alternative to that is a perfect system in which everyone is equal to everyone else and everyone is flourishing in peace. When New Left historians punched at his assertions, he punched back and satirized them savagely. One hears familiar melodies in his tilts with the New Left. They are the roots of todays culture wars.

The son of a Jewish Georgia lawyer who fled to Oklahoma because of his unpopular role in the 1915 Leo Frank case, Daniel Boorstin studied at Harvard and Oxford, and by the late 1930s became one of the few Americans to become a British barrister-at-law. It was also in England where he first encountered Communism and briefly became a party member: Nearly everyone I knew in those days who was interesting humanly or intellectually was leftist and thought they had a duty to do something about the state of the world. He left the party in 1939 and through his teaching and scholarship became increasingly conservative. But his former Communist affiliations followed him and in 1953 he testified before the House Committee on Un-American Activities. Revolting against his Marxist past, like so many ex-communists in those years such as Whittaker Chambers and James Burnham, he insisted that no college or university should hire communists. Anyone who teaches should be intellectually free from ideological dogma and systems of thought. Party membership and his HUAC testimony was a defining moment for Boorstin (and his critics) and it deeply shaped his perception of American history.

The same year he appeared before HUAC, Boorstins published The Genius of American Politics and it remains a fascinating and controversial text assessing the American past. For Boorstin, America was pragmatic rather than ideological from its colonial birth, shaped by its land and history rather than European political and religious philosophies. Two basic ideas informed this understanding: Givenness and Seamlessness. The United States had a givenness in its unique geography and history that inhibited abstract dogmas from taking hold. North America was fruitful but perilous, and the realities of survival and settling communities gave to Americans a practical bent that adapted ideas to the environment, rather than attempting to mold the environment to a priori abstractions. Independence, equality, and liberty, we like to believe, are breathed in with our very air, Boorstin explained. No nation has been readier to identify its values with the peculiar conditions of its landscape Our belief in the mystical power of our land has in this roundabout way nourished an empirical point of view; and a naturalistic approach to values has thus, in the United States, been bound up with patriotism itself. This pragmatic givenness became part of American history as a gift from the past, was embodied in present-day political institutions, and connected past and present through the continuity of experience. Thus, he explained, It is the quality of our experience which makes us see our national past as an uninterrupted continuum of similar events, so that our past emerges indistinguishably into our present.

The givenness of the American experience seamlessly and organically linked all of life and encompassed institutions and practices, so that few boundaries separated politics, culture, religion, and economics. All were infused with the American pragmatic ethos. This seamlessness was demonstrated across space, so that institutions were a reflection of the environment that birthed and sustained them. It was also expressed across time: Most of what we see of our past reinforces our feeling of continuity and oneness with it. This stood in dark contrast to European history with its bloody revolutionary breaks with the past, like the French Revolution. Frequent violent upheavals based on abstract ideologies mystified Americans, Boorstin suggested. Think of soldiers in World War Two facing German Nazism and Italian Fascism, or closer to home in the 1950s citizens opposing Soviet communism (of which Boorstin had intimate knowledge):

The American who goes to Europe cannot but be shocked by the casualness with which Frenchmen or Italians view the possibility of violent change in their society For the European the past, and therefore the future, seems a kind of grab bag of extreme alternatives. Because for us the past is a solid stalk out of which our present seems to grow, the lines of our future seem clearer and more inevitable Our history inclines us, then, to see fascism and nazism and communism not merely as bad philosophies but as violations of the essential nature of institutions. To us institutions have appeared as a natural continuum with the non-institutional environment and the historical past. From this point of view, the proper role of the citizen and the statesman here is one of conservation and reform rather than invention.

Therefore, Americans were natural conservatives, suspicious of grand ideological plans to remake humanity or society, and if change must come it should be evolutionary rather than revolutionary.

The result of American givenness and seamlessness was a broad consensus on American values and a belief in the essential goodness of its institutions. When Americans debated, it was not over fundamentals, but the application of given truths emanating from shared experience. Look at the 1952 election between Dwight Eisenhower and Adlai Stevenson. This was not a vibrant contest over essentials, but a civil disagreement over the interpretation of givens. Both Democrats and Republicans have, on the whole, the same vision of the kind of society there ought to be in the United States, wrote Boorstin. They differ only over whether that kind of society is more likely to be attained by much or little aid to western Europe, by much of little regulation of labor unions, by one or another form of taxation or by Republicans or Democrats holding office. Revolution and violence were infrequent because Americans agreed upon so much.

How then did Boorstin explain the major conflicts of American history? In Genius, he tackled Puritan New England, the American Revolution, and the Civil War to illustrate his thesis. Puritans came to New England in 1620s and 1630s armed with the zealous religious certainty, but they did not make Massachusetts a Puritan paradise. The harsh New England environment and challenge of building permanent communities on a hostile fledgling frontier forced them to adapt. Historians traditionally look at American Puritanism across the seventeenth century as the story of decline, but it was instead assimilation to a new environment. It was never a battle with the Devil: Puritanism in New England was not so much defeated by the dogmas of anti-Puritanism as it was simply assimilated to the conditions of life in America. Never was it blown away by the hurricane. It was gradually eroded by the American climate. Similarly, the American Revolution was not the story of diametrically opposed sides, Patriots versus British, Revolutionaries versus Tories. The American Revolution was no revolution but merely a colonial rebellion, Boorstin wrote. Americans clung to traditional English liberties they believed were threatened by innovative parliamentary laws and raised a rebellion to protect them. They were fighting not so much to establish new rights as to preserve old ones. It was not a revolution and Americans wrote no important philosophical texts laying out a distinct new ideology. Boorstins understanding of the American Revolution mirrored that of Russell Kirks Conservative Mind, published the same year. Indeed, Boorstin and Kirk developed a friendship after publication of Genius.

Fitting the Civil War into Boorstins consensus thesis took some contorting, not all of it convincing. It was an intra-federal dispute, he claimed, not over the rightness of the Constitution but over rights within a federal system. Just look at the wide areas of consensus between North and South: the Confederates accepted the Declaration, adopted the Philadelphia constitution almost in whole, and used the language of Jefferson and Madison to explain their course. Paradoxically and tragically, the War demonstrated more consensus than conflict: The North and the South each considered that it was fighting primarily for its legal rights under the sacred federal Constitution. Again, no great work of original political philosophy emerged either before or after the Civil War, a strong signal of American consensus. Calhoun came the closest to innovation in his Disquisition and Discourse, but he grounded both works in the American tradition without wandering dangerously into abstract European waters. For Boorstin, the Civil War was unproductive of political theory. This, the bloodiest single civil war of the nineteenth century, was also perhaps the least theoretical. Even in this moment of national immolation, the theme of consensus overwhelmed that of division and conflict.

Boorstin continued these themes in his three part The Americans series: The Colonial Experience (1958), The National Experience (1965), and The Democratic Experience (1973). As an elaboration on themes explored in Genius, they detailed Boorstins perception of what mattered in American history. Chapters brim, not with ideas, ideologies, philosophies, theologies, or political and religious doctrines, but with inventions, innovators, businessmen, products that improved the quality of life, technology, and the practical details of everyday life. It was social history in the cause of consensus. He was interested in the effects of condensed milk and air conditioning. Americans were a hard-headed, realistic, practical people, and Boorstin dispatched examples of discord and protest in their history. He had little patience for transcendentalists, abolitionists, cantankerous writers like Thoreau (whom he called a vagrant), socialists, or Marxists. They were outsiders who had little to say about the non-ideological main currents of American life, like middle-class Americans who got married, raised families, did their jobs, and improved their communities.

With the advent of the 1960s, a wave of rising young New Left historians revolted against consensus understandings of American history, picturing it as the historiographical equivalent of Leave it to Beaver complacent, blinkered, and stultifying. Instead, they examined the past and saw violence and the struggle against oppression, a direct reflection of New Left historians political and social activism in protest movements of the decade. Consensus historians deliberately ignored the persistent strain of conflict in history to maintain systems of privilege and the status quo, they claimed. As historian David Donald observed in 1970, The new generation of historians sweepingly condemns all Consensus scholars for accepting, and even eulogizing, a society where poverty is tolerated because it is presumed to be transient; where racial discrimination is permissible because it too will pass away; where political conflict is muted, since everybody agrees on everything; and where foreign adventurism is acceptable since politics stops at the waters edge.

For the New Left, the story of America was not Friday night at the Lions Club in some Midwestern town, but violent labor strikes, protests in the streets, and civil (or uncivil) disobedience against unjust laws. In the hands of these historians, the American historical narrative flipped. The American Revolution was now a world-historical event with radically egalitarian import, the Constitution cover for racist planters and the perpetuation of slavery, and the Jacksonian era a story of the political awakening of the working-class and courageous activism by abolitionists like Douglass and Brown. Boorstins peripheral outsiders became the center of attention. There was no consensus between Americans, only a continuous battle for rights and material goods. The culmination of this scholarship was in many ways Howard Zinns Peoples History of the United States (1980), which reads as a two-century chronicle of oppression and almost continual socio-economic war.

Attacks on Boorstin were pointed and successful. Consensus history was denounced as unserious popular history, more suited to the middle-class homes Boorstin lionized than the halls of academe. Some critics viewed him as too conservative, morally complacent, content with the status quo, New York Times journalist Robert D. McFadden wrote. Dr. Boorstins curiosity, mental agility and inclination not to suffer fools led some associates to call him arrogant and elitist. Anti-war protesters dogged him at the University of Chicago and radical students organized boycotts of his classes. They viewed his HUAC testimony as McCarthyism and treachery. When he condemned identity-based academic studies departments as divisive and unreflective of the American experience, calls of racism fell upon him. By the 1970s one historian remarked that Boorstin is now pass among most professional historians. Rather than accepting their barbs, he counter-attacked, defending his perspective and critiquing theirs. Fellow historian and friend Edmund Morgan recalled:

Boorstins scorn for ideologies and conformity may have owed something to his own brief flirtation with Marxism as a student at Oxford, where in the 1930s the Communist Party had been home to virtually every aspiring intellectual. His reaction against it extended to the neo-Marxist ideologies that drove many of the student organizations devoted to challenging established authority in the 1960s. But he was equally scornful of those who made a vocation out of discontent, without any concern beyond the taste of power that protests gave them.

His rejoinder came in three bursts, all in print: a 1969 article for Esquire The New Barbarians, The Decline of Radicalism (1969), and The Sociology of the Absurd, or The Application of Professor X (1970).

In The New Barbarism, Boorstin excoriated 1960s student protestors as falling outside the American tradition. Radicalism in the 1930s the Old Left, which he once joined at least had a partially positive impact on American life by focusing attention on genuine economic problems in the midst of the Great Depression. This was a radicalism that made coherent arguments. If misguided in its socialism, the Old Left searched for meaning, discussed social and political fundamentals, and offered plans for new foundations. Every radicalism is a way of asserting what are the roots, he explained. Radicalism, therefore, involves affirmation The radical must affirm that this is more fundamental than that. Genuine radicalism also defends community: It affirms that we all share the same root problems, that we are all in the same boat, though the radical may see the boat very differently than do others. Boorstin suggested that real radicalism is sometimes helpful in the long run, backpedaling from his earlier dismissals of radicals in American history.

Todays student movement had none of these characteristics, Boorstin wrote. Instead, 1960s protestors were self-regarding barbarian nihilists, more interested in performance and power than reform. Their basic impulses leaned toward destruction for destructions sake: What makes a radical radical is not that he discomfits others but how he does it. A drunk is not a radical, neither is a psychotic, though both can make us feel uncomfortable. In this sense, they were not radical at all, but barbarians invaders bent on sacking the establishment and its institutions rather than changing them for the better. Real radicals meditated on ideas; the barbarians replaced meditation over Marx with the direct action of Mao and Che Guevara: They find nothing so enchanting as the sound of their own voices, and their bibliography consists of the products of their own mimeographing. They seem to think they can be radicals without portfolio. To use a familiar phrase from todays debates over liberalism, 1960s radicals didnt do the reading.

The young New Barbarians demanded everything revolve around them. This was not an expression of American individualism, it was an adolescent need for attention and a spiritual Ptolemaism. For all their rhetoric, they were not egalitarians, but egolitarians, preening the egotism of the isolated self A movement from the community-centered to the self-centered. Since everything orbited around the self, the barbarians neglected reason and preferred emotivism. Now, the best ideas were not rationally argued but shouted the loudest. Their preferred punctuation was not a question mark, but the exclamation point.

This emotivism felt good if it feels good, do it and the barbarian sought individual sensation rather than shared experience. In other words, recalling Boorstins emphasis on experience in his earlier work, there was something essentially un-American about these 1960s protest movements. We share experiences and those shared moments are our history. When we have an experience, we enter into the continuum of society. But individual sensations are personal, private, confined, and incommunicable, merely inward-looking feeling that affirms and emphasizes the self. This flight from experience and community represented a fundamentally fearful impulse, a paranoid unwillingness to surrender the self for others. The search for sensation is a search for some way of reminding oneself that one is alive but without becoming entangled with others or with a community. Barbarians believed that community was the death of individual identity and a source of tyranny.

There are times when Boorstin anticipated twenty-first century realities. He saw in 1960s emotivism and the search for new sensations the growing need for instantaneousness. Every urge must be met immediately with no waiting required. It was hardly a surprise, he observed, that in an age of hallucinogenic narcotics giving individuals immediate gratification, the political impulse was one of impatience. [The New Barbarians] deny the existence of time, since Sensation is instantaneous and not cumulative. They herald the age of Instant Everything Every program must be instantaneous, every demand must be an ultimatum. The New Left its political activists and academics was the LSD of the intellectuals.

The New Barbarians was reprinted in Boorstins Decline of Radicalism, also in 1969. In that volume, he also reprinted an October 1967 speech entitled Dissent, Dissension, and the News given to an Associated Press meeting at the height of Vietnam protests. Here again, he attacked the 1960s student movement as outside the American tradition. Americans welcomed disagreement and the nations democratic structures institutionalized this in elections and free speech rights, he said. But these protest movements were not those of disagreement, but dissent. Disagreement is a sign of national health because it is based on shared assumptions. Dissent is a sign of national illness because it signifies existential power battles over the meaning of the nation itself. Disagreers ask, what about the war in Vietnam? Dissenters ask, what about me? Disagreers seeks solutions to common problems, dissenters seek power for themselves. Much like he suggested in Barbarians, 1960s protesters were something new and dangerous.

Boorstin directly challenged New Left conflict historians and their representation of the past. Recent scholarly attention to violence, revolts, and episodes of dissent in US History distorted that history: There never is quite as much dissent as there seems. He called this scholarly tendency The Law of the Conspicuousness of Dissent. We focus on the few hundred who dissent and overlook the millions who assent, seeing celestial significance in the former and insignificance in the latter. This gives an entirely unrepresentative picture of the past and plays up the ephemeral at the expense of the central: Carry Nation smashing up a bar makes much more interesting reading and is more likely to enter the record than the peaceable activity of the bartender mixing drinks. But this may lead us to a perverse emphasis Out interest tends to be focused on the cataracts, the eddies, the waterfalls, and the whirlpools. But what of the main stream? Two years before President Nixon gave his Silent Majority speech, Boorstin was making the case for Silent Majority scholarship. Pay attention to the middle-class bartender, not the obnoxious prohibitionist.

Media changes in the 1950s and 1960s encouraged the coverage of dissent. Newspapers and television competition led to a focus on conflict, amplified bad news, and gave the impression of constant turmoil. It is an easier job to make a news story of men who are fighting one another than it is to describe their peaceful living together, he chastised AP editors. The new media was biased towards the good shot, breaking news, and this just in. The hourly news cycle of constant reporting began, journalists looked for stories to fill space, newspapers published more opinion columns and pursued opinion polling (impressing upon people the necessity of having an opinion about everything), all of this hardly conducive to reflecting the general quiescence of most Americans. It is hard to imagine Boorstins reaction to todays social media-driven/cable news cycle, which was only beginning to proliferate when he died in 2004. The media and the 1960s New Left told the same story: that conflict rather than consensus was the American story.

At the heart of New Left scholarship was the issue of identity, Boorstin wrote, the right to retain your differences, and that the good American was partly immigrant, partly foreign, or partly other. This tendency became increasingly common after World War Two, particularly in politics. Witness, for example, John F. Kennedys emphasis on his Irishness. New Left scholars pushed further and placed emphasis on minorities over majorities, difference, and separateness, and soon a whole humanities and social science literature rose to expand upon this. People in small groups were reminded that they had a power and a locale which they had not so precisely known before. They began to deliberately try to sound different, to dress different, to act different from other Americans, and to demonstrate they were part of a separate group. Changes in technology like the concentration and computerization of information allowed small groups to effect outsized change one tiny but well-located protest could shut down a university. What he called minority-veto psychology altered the relationship between individuals and between individuals and institutions. Democracy itself was redefined. Small groups have more power than ever before. In small numbers there is strength. And this, in turn, results in the quest for minority identity. To be identified with a minority outside the American consensus was now highly desirable and a sign of authenticity.

This desperate quest for identity and difference was a primary part of New Left dissent. Yet the rage to be different was meaningless. The belief in the intrinsic virtue of dissent was, in reality, Dissent for dissents sake. This conformity of non-conformity answered no questions, solved no problems, nor made complexity more understandable. It lived on dissension alone. Dissent was a type of internal secession tearing apart societies and making it impossible for people to live with one another.

In 1970, Boorstin turned from commentary to satire in Sociology of the Absurd. This small book reads as a failed grant application at the Institute for Democratic Studies by a group of sociologists collectively named Professor X. Boorstin mockingly wrote it to illustrate where New Left activist scholarship was inevitably leading.

The application proposed a new social measurement called the Ethnic Quotient, or EQ for short, to reflect the growing awareness of the importance of ones ancestors to our individual situation. As our social scientists have shown, the more remote the time and place the more deeply and permanently have their influence become ingrained in the soul (in the new ethnic sense). And the more essential it is then that each persons ethnic origins be marked off and measured by the best available quantitative techniques. True, this new sense of identity could be solved by each ethnic and racial group having entirely segregated social spaces, but the complications were too great, like a near-insoluble problem in finding enough Belgian teachers for young Belgo-Americans and the difficulties of people with complicated mixed ethnic backgrounds. It would be a violation of the integral personality of a child to require him to attend a school whose ethnic makeup was not the same as his own, Boorstin added wryly.

The solution was Ethnic Proportionalism. A complicated social scientific formula would give each American an EQ number to be placed on their Social Security card, a permanent number since ancestry never changes. It is expressed in initials and percentages, like G75:IT15:EN10, meaning German 75%, Italian 15%, and English 10%. EQ values could be put to many practical uses, the application suggested, like the division of education time among an individuals ethnic makeup, revision of school lunch programs along appropriate ethnic lines, and the personal enjoyment of various ethnic-appropriate holidays.

Along with the EQ, there was also the Merit Quotient, or MQ. Think of this as intergenerational bookkeeping to more effectively address historical injustices, Boorstin explained. An MQ number (also on your Social Security card) reverses the Christian idea that justice lies in the future, that your just reward will come in heaven, and instead asserts that justice lies in the past as a kind of Progress Through Regression.

All the past injustices (in our Pre-Life) must be balanced by adequate present compensations Therefore, the persons who (in their ancestors) most suffered or were most disadvantaged in the past, must be specially privileged and advantaged in the present. Contrariwise, those who were overprivileged in the past (in the persons of their ancestors) must have their historical balance rectified by being made underprivileged in the present.

MQ is on a simple 0-100 scale. To have an M.Q. of 100 it would be necessary for all a persons ancestors to be victims of genocide, and presumably even before any of them had had the pleasure of procreating children. One could, however, have a minus MQ: That simply means that the persons ancestors have, totally speaking, accumulated more pleasure and privilege than pain and suffering. Pains and sufferings are a plus, pleasures and privileges are a minus, and the dominant purpose is simply to see how much merit has been acquired by the individual in this way, so we can assess his fair and proper special claim now to the goods, services, and honors of our present-day society.

MQ was a complex total ancestor calculation and Boorstin actually presented readers with the equation. It accommodated both man-made oppression and natural disasters, as well as all the benefits felt by the wealthy and privileged throughout time. Like EQ, MQ never changes since the experiences of ones ancestors never change, nor can present-day intelligence or hard work alter it. MQ cannot be altered one iota by other personal qualities of talent, education, or character, by achievements or crimes. All these later items, as we know, are anyway nothing but the product of all those past forces. MQ could also find many practical uses, like college entrance and job applications. A single handy precalculated M.Q. will save time, money, paperwork, and red tape. It will also remove the bases of the old accusations of unfair discrimination, partisan patronage, and racial and religious prejudice, which characterized the mid-century so-called merit system. EQ and MQ will help destroy status and hierarchy (Social Non-Differentiation) in all institutions like universities. In fact, we need to create a new Universal University with the slogan All Things to All Men Including Women and Children! It would be universal in that it performed new social functions, like settlement house (in the Jane Addams tradition), employment agency, sexual experimentation laboratory, remedial-reading clinic, psychiatric ward, and, of course, training area for revolutionary strategy and tactics.

Boorstins criticism and satire of the New Left earned him lasting scorn. Fed up with student harassment at the University of Chicago, he left academia in 1969 and worked for the Smithsonian. In 1975, President Ford nominated him for Librarian of Congress and although some academics and Library employees protested his appointment, he was confirmed and served until 1987.

David Boorstin appeared on Think Tank in 1994 as an aging unrepentant war horse of historiographical battles almost a half century old. When pressed on the state of history in the 1990s and his own older consensus interpretation, he reiterated the message of his entire professional life:

I think what we should aim at is a human history. And I think that, insofar as the champions of different minority histories have set up their own departments and their own lectureships and courses, they have tended to divide history to separate us from one another I think what I would call the divisive or so-called minority approach what Arthur Schlesinger calls the disuniting of America by the rewriting of our history. I think that moves in the wrong direction I think that to take a proportional representation approach to history seems to be, to me, misguided If were concerned with civilization and culture and [the] tradition of rights embodied in the common law and in our Constitution, we cannot apportion the role of people according to the number of them who exist. Its not a demographic question. Its a cultural question.

Consensus history is well and truly dead in academic scholarship, although some have argued convincingly that the fruits of conflict history are the new consensus. But Boorstin is still worth reading and if he too often simplified complexities in American history, there is nonetheless a good measure of prescience in his works.

This essay was first published here in June 2022.

The Imaginative Conservativeapplies the principle of appreciation to the discussion of culture and politicswe approach dialogue with magnanimity rather than with mere civility. Will you help us remain a refreshing oasis in the increasingly contentious arena of modern discourse? Please considerdonating now.

The featured image is a photograph of Daniel Boorstin, and is in the public domain, courtesy of Wikimedia Commons.

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Daniel Boorstin Against the Barbarians - The Imaginative Conservative

Categories Leo Frank

Elon Musk and the fight to X out hate speech – Communist Party USA

At the end of August, 38-year-old presidential candidate Vivek Ramaswamy appeared on CNN and was confronted with remarks he made regarding Ayanna Pressley, the first Black woman elected to represent Massachusetts in Congress. In response to her critique of his campaign one that insists on a colorblind meritocracy Ramaswamy said at an event in Iowa that her words are the words of the modern grand wizards of the modern KKK.

CNNs Dana Bash pressed him during the interview on these comments, pointing out that the KKK has waged violent terror for over a century. Can you have an intellectually honest conversation when you accuse her of being a grand wizard of the KKK? she asked.

Yes, I can. Ramaswamy said.

They lynched people, they murdered people, they raped people, they burned their homes, simply because of [their race] do you think that maybe comparing her to the grand wizard and the notion of what she said to being a modern leader of the KKK was maybe a step too far, or do you stand by what you said?

I stand by what I said to provoke an open and honest discussion in this country, because there is a gap, Dana, between what people will say in private today, what they say in public.

Indeed, there are certain things said in private and certain things said in public. But a lot of ideological ground must be lost before someone like Ramaswamy feels comfortable enough to call a Black woman in government a grand wizard of the KKK. CNNs Dana Bash expressed horror and disgust, as did many watching. Yet, it was being said out loud on CNN. It was being said by a young man running for president, and who is polling as high as 15% in some GOP primaries. What was once unthinkable is now being said out loud, on major television networks, by people who aspire to one of the most powerful offices in government.

Meanwhile, on Twitter, even more was being said out loud that might have previously only been said in private. In response to the Anti-Defamation League (ADL) meeting with the CEO of Twitter/X aimed at regulating hate speech on the platform, a group of neo-Nazis started a campaign called #BanTheADL. On August 31st, it was the top trending hashtag on Twitter/X, and under it was found the most vile, disgusting, and miserable anti-Semitic propaganda.

Since Elon Musks takeover of Twitter in late 2022, the platform has become increasingly hostile to much of the audience that formerly utilized it as a place to discover and discuss breaking news. But this campaign was unprecedented, in part because of its virulence, but mainly because of the otherwise mainstream figures who stepped in to boost the campaign. Lured in by another user referencing the ADLs work on busting myths of white genocide in South Africa as a reason to loathe the organization, Elon Musk, the richest man in the world, ended up agreeing that the ADL has tried very hard to strangle X/Twitter.

He said this even as the most horrific anti-Semitic propaganda was being spread on- and off-line. August 17th marked the 108th anniversary of Leo Franks death, a Jewish person falsely accused and wrongly convicted of raping and killing a young girl, which prompted ADLs founding. Frank was later kidnapped from prison and murdered by a lynch mob in Marietta, GA. Neo-nazis used the occasion to create social media posts and fliers with images of Leo Frank, saying that the ADL was formed to protect rapists, pedophiles, and murderers. Meanwhile, posts were circulating on Twitter/X of two unmasked white men smiling and holding a sign that said Shoah the ADL outside of the gates of Auschwitz in Poland.

Transphobe and self-described theocratic fascist Matt Walsh boosted the Ban ADL campaign, as did Turning Point USAs Charlie Kirk, calling the ADL a mass purveyor of anti-white hate.

Progressive forces have their own grievances with the ADL. The ADL has attacked the notion of Israeli apartheid, failing to recognize the far-right nature of the current Israeli government, while minimizing ongoing attacks by Israeli security forces against the Palestinian people within Palestinian territory. Indeed, the ADL has officially distanced itself from the Black Lives Matter movement and even condemned many of its leaders for their support of the pro-Palestininian Boycott, Divestment, and Sanctions campaign. As a result, many organizations have advocated for the removal of the ADL from progressive campaigns and coalitions. But whats important to note here is that the recent Ban the ADL campaign is not motivated by progressives, but rather the most wretched and disgusting white supremacist and fascist forces.

Between Vivek Ramaswamys comments and the increase of outright anti-Semitism on social media, something seems to be happening to public discourse and not necessarily always in a progressive direction.

Shifts in the battle of ideas

The Overton Window is a U.S. policy concept developed in the 1990s regarding the window of acceptable discourse in a society. Within this framework, there are six levels to public acceptance of ideas:

Unthinkable Radical Acceptable Sensible Popular Policy.

The acceptability of certain ideas exists on a spectrum. An idea does not just go from unthinkable to popular. There is a process by which ideas move up and down along the spectrum, depending on other factors.

In the course of my lifetime, many ideas that were once unthinkable, like gay marriage or marijuana use, for example, have become policy. Likewise, other ideas such as smoking cigarettes inside schools, offices and hospitals have gone from policy to unthinkable. Through the impact of science, and propagation of information in doctors offices and in the media, policymakers were pressured into banning indoor smoking in most places.

Socialists also fight to push our own ideas along the spectrum towards policy. Free, universal healthcare has gained in popularity, as well as a higher minimum wage, and broad support and acceptance of unions. We also agitate against state violence, from police murder to family separation at the border to the cessation of war.

Yet we are not alone in the battle of ideas. The capitalist class invests unlimited amounts of money, time, and effort into trying to push its own agenda. When under pressure, politicians and policy makers move in one direction or another. When under threat, monopoly capital prefers fascism over socialism.

Elon Musk is the richest man in the world. Like his fellow monopolist, Jeff Bezos, he has bought himself a very powerful media platform perhaps more powerful than the Bezos-owned Washington Post. Under the capitalist laws of private property, Elon Musk can encourage whatever sort of discourse he likes on the platform, because he owns it. He can fire half the workers, alienate advertisers, and refuse to pay the companys bills, because he understands the laws of capitalist ownership quite keenly.

He also understands that even if he breaks the law, the state will be hesitant to hold him to account, precisely because of his personal wealth and power. After all, he has control over a huge part of the U.S. space program through his private company, SpaceX, and has even leveraged that to intervene in Pentagon affairs.

Since his acquisition, hate has spewed from the website at a rate previously only seen on KKK and Nazi websites. Hatred against the trans community on the platform has resulted in an epidemic of bomb threats and attacks on hospitals, libraries, schools, and other community institutions who show any degree of support for trans people, especially trans children.

Its easy for anti-Semites to shoehorn their way into such discourses. They blame Jewish doctors, psychiatrists, parents, librarians, and politicians for spreading gender ideology, just as Jewish people were blamed for spreading race mixing during the Civil Rights struggle.

With different contending forces in the mix, the ideological tug-of-war does not develop evenly. Progress made in civil rights results in pushback from racist sectors, including from big business.

Given monopoly capitals dominant position at the political level, the fascist threat is looming larger than ever in response to gains made by our working class and people.

On the same day as tens of thousands of people from across the country gathered in Washington D.C. to continue Dr. Martin Luther King Jr.s legacy of peace and justice for all, a young white man in Northeast Florida grabbed his guns and left his parents home, intending to murder Black people. He drove from Clay County to Jacksonville and began to put on his body armor next to the school library at Edward Waters University, an HBCU established in 1866. A security guard scared him off, but he got back in his car and drove to a nearby Dollar General, where he would unleash racist terror, murdering three Black people before turning the gun on himself.

What is the nature of the environment where this horrific massacre took place? This year, Jacksonville elected the first progressive mayor in decades, a white woman, a former newscaster who won office by saying she intended to unify the city. Jacksonville has, after all, been on the forefront of the antifascist struggle. It is both the city where Donald Trump was to be renominated in 2020 and also the city where Kamala Harris spoke earlier this year on defending Black history in schools.

It is also the birthplace of Florida Governor Ron DeSantis, who is running for president on a platform of Make America Florida. He has left no stone unturned in his quest to strip African Americans, immigrants, formerly incarcerated people, the LGBTQ community, and women in Florida of their civil rights. During his tenure as governor, groups like the Goyim Defense League have set up public Nazi rallies, dropping anti-Semitic signs over overpasses, and even picketing outside of Walt Disney World with swastikas. A week after the massacre in Jacksonville, as part of the #BanTheADL campaign, two separate Nazi groups held fascist rallies in Orlando and in Altamonte Springs, just 10 miles from where 17-year-old Trayvon Martin was murdered in 2011 for walking while Black.

In Jacksonville, such elements have been distributing anti-Semitic and KKK literature on the lawns of peoples houses, and projecting giant swastikas intertwined with crosses on skyscrapers downtown at night. The response to an increase in racist, hateful, Nazi rhetoric is an increase of racist, hateful, Nazi behavior. In his statement in response to the massacre near Edward College University, DeSantis didnt even bother to say that the murderer was white, and his victims were Black.

Politics matter

As capitalism continues to come up short on being able to provide for the continued existence of the human species, the masses are waking up. Voters are choosing correctly when they fight for progress at the ballot box. Workers are choosing correctly when they struggle for power on the job, and for racial and gender equality in their communities. The voters of Jacksonville have had enough. But fascists dont respect election results. They see their power as coming from the barrel of their AR-15s. Like a cornered animal, the fascist backlash is growing, and can be more powerful and deadly than we imagine.

As we move into the latter part of 2023, with an eye on the elections in 2024, we should be sure to point this out to workers. Young people frustrated at the lack of progress on student loan forgiveness might not be considering the ramping-up of fascist hate as they make their choice at the polls. Workers might not understand the line that runs between transphobia and racism, so we need to explain that to them. Your father-in-law might think that Joe Biden is just too old, and might not be thinking about the long-lasting damage to democracy that another Trump presidency might portend.

Its scary to think about, but increasingly possible that in ten years time, unless our working class becomes more empowered and organized, we might actually be face-to-face with a fascist takeover of the government. Fascists, threatened by demographic changes and progress made by working people, understand theirs to be an existential battle to the death. Trump is facing the rest of his life in prison. A cornered animal is at its most dangerous, violent, and loud. So, too, must we hold fast to what Karl Marx and Fredrich Engels said about the struggle for socialism: we will win either a revolutionary constitution of society at large or the common ruin of the contending classes.

Images: Elon Musk / X by Fred Barr; Leo Frank by Bain News Service (Library of Congress); Charleston, WV Vigil in Solidarity with Charlottesville by Rise Up WV (CC BY-NC-SA 2.0 DEED) People march with leaders of the March on Washington by ADL (Facebook)

Continued here:

Elon Musk and the fight to X out hate speech - Communist Party USA

Categories Leo Frank

Elon Musk and the fight to X out hate speech – Communist Party USA

At the end of August, 38-year-old presidential candidate Vivek Ramaswamy appeared on CNN and was confronted with remarks he made regarding Ayanna Pressley, the first Black woman elected to represent Massachusetts in Congress. In response to her critique of his campaign one that insists on a colorblind meritocracy Ramaswamy said at an event in Iowa that her words are the words of the modern grand wizards of the modern KKK.

CNNs Dana Bash pressed him during the interview on these comments, pointing out that the KKK has waged violent terror for over a century. Can you have an intellectually honest conversation when you accuse her of being a grand wizard of the KKK? she asked.

Yes, I can. Ramaswamy said.

They lynched people, they murdered people, they raped people, they burned their homes, simply because of [their race] do you think that maybe comparing her to the grand wizard and the notion of what she said to being a modern leader of the KKK was maybe a step too far, or do you stand by what you said?

I stand by what I said to provoke an open and honest discussion in this country, because there is a gap, Dana, between what people will say in private today, what they say in public.

Indeed, there are certain things said in private and certain things said in public. But a lot of ideological ground must be lost before someone like Ramaswamy feels comfortable enough to call a Black woman in government a grand wizard of the KKK. CNNs Dana Bash expressed horror and disgust, as did many watching. Yet, it was being said out loud on CNN. It was being said by a young man running for president, and who is polling as high as 15% in some GOP primaries. What was once unthinkable is now being said out loud, on major television networks, by people who aspire to one of the most powerful offices in government.

Meanwhile, on Twitter, even more was being said out loud that might have previously only been said in private. In response to the Anti-Defamation League (ADL) meeting with the CEO of Twitter/X aimed at regulating hate speech on the platform, a group of neo-Nazis started a campaign called #BanTheADL. On August 31st, it was the top trending hashtag on Twitter/X, and under it was found the most vile, disgusting, and miserable anti-Semitic propaganda.

Since Elon Musks takeover of Twitter in late 2022, the platform has become increasingly hostile to much of the audience that formerly utilized it as a place to discover and discuss breaking news. But this campaign was unprecedented, in part because of its virulence, but mainly because of the otherwise mainstream figures who stepped in to boost the campaign. Lured in by another user referencing the ADLs work on busting myths of white genocide in South Africa as a reason to loathe the organization, Elon Musk, the richest man in the world, ended up agreeing that the ADL has tried very hard to strangle X/Twitter.

He said this even as the most horrific anti-Semitic propaganda was being spread on- and off-line. August 17th marked the 108th anniversary of Leo Franks death, a Jewish person falsely accused and wrongly convicted of raping and killing a young girl, which prompted ADLs founding. Frank was later kidnapped from prison and murdered by a lynch mob in Marietta, GA. Neo-nazis used the occasion to create social media posts and fliers with images of Leo Frank, saying that the ADL was formed to protect rapists, pedophiles, and murderers. Meanwhile, posts were circulating on Twitter/X of two unmasked white men smiling and holding a sign that said Shoah the ADL outside of the gates of Auschwitz in Poland.

Transphobe and self-described theocratic fascist Matt Walsh boosted the Ban ADL campaign, as did Turning Point USAs Charlie Kirk, calling the ADL a mass purveyor of anti-white hate.

Progressive forces have their own grievances with the ADL. The ADL has attacked the notion of Israeli apartheid, failing to recognize the far-right nature of the current Israeli government, while minimizing ongoing attacks by Israeli security forces against the Palestinian people within Palestinian territory. Indeed, the ADL has officially distanced itself from the Black Lives Matter movement and even condemned many of its leaders for their support of the pro-Palestininian Boycott, Divestment, and Sanctions campaign. As a result, many organizations have advocated for the removal of the ADL from progressive campaigns and coalitions. But whats important to note here is that the recent Ban the ADL campaign is not motivated by progressives, but rather the most wretched and disgusting white supremacist and fascist forces.

Between Vivek Ramaswamys comments and the increase of outright anti-Semitism on social media, something seems to be happening to public discourse and not necessarily always in a progressive direction.

Shifts in the battle of ideas

The Overton Window is a U.S. policy concept developed in the 1990s regarding the window of acceptable discourse in a society. Within this framework, there are six levels to public acceptance of ideas:

Unthinkable Radical Acceptable Sensible Popular Policy.

The acceptability of certain ideas exists on a spectrum. An idea does not just go from unthinkable to popular. There is a process by which ideas move up and down along the spectrum, depending on other factors.

In the course of my lifetime, many ideas that were once unthinkable, like gay marriage or marijuana use, for example, have become policy. Likewise, other ideas such as smoking cigarettes inside schools, offices and hospitals have gone from policy to unthinkable. Through the impact of science, and propagation of information in doctors offices and in the media, policymakers were pressured into banning indoor smoking in most places.

Socialists also fight to push our own ideas along the spectrum towards policy. Free, universal healthcare has gained in popularity, as well as a higher minimum wage, and broad support and acceptance of unions. We also agitate against state violence, from police murder to family separation at the border to the cessation of war.

Yet we are not alone in the battle of ideas. The capitalist class invests unlimited amounts of money, time, and effort into trying to push its own agenda. When under pressure, politicians and policy makers move in one direction or another. When under threat, monopoly capital prefers fascism over socialism.

Elon Musk is the richest man in the world. Like his fellow monopolist, Jeff Bezos, he has bought himself a very powerful media platform perhaps more powerful than the Bezos-owned Washington Post. Under the capitalist laws of private property, Elon Musk can encourage whatever sort of discourse he likes on the platform, because he owns it. He can fire half the workers, alienate advertisers, and refuse to pay the companys bills, because he understands the laws of capitalist ownership quite keenly.

He also understands that even if he breaks the law, the state will be hesitant to hold him to account, precisely because of his personal wealth and power. After all, he has control over a huge part of the U.S. space program through his private company, SpaceX, and has even leveraged that to intervene in Pentagon affairs.

Since his acquisition, hate has spewed from the website at a rate previously only seen on KKK and Nazi websites. Hatred against the trans community on the platform has resulted in an epidemic of bomb threats and attacks on hospitals, libraries, schools, and other community institutions who show any degree of support for trans people, especially trans children.

Its easy for anti-Semites to shoehorn their way into such discourses. They blame Jewish doctors, psychiatrists, parents, librarians, and politicians for spreading gender ideology, just as Jewish people were blamed for spreading race mixing during the Civil Rights struggle.

With different contending forces in the mix, the ideological tug-of-war does not develop evenly. Progress made in civil rights results in pushback from racist sectors, including from big business.

Given monopoly capitals dominant position at the political level, the fascist threat is looming larger than ever in response to gains made by our working class and people.

On the same day as tens of thousands of people from across the country gathered in Washington D.C. to continue Dr. Martin Luther King Jr.s legacy of peace and justice for all, a young white man in Northeast Florida grabbed his guns and left his parents home, intending to murder Black people. He drove from Clay County to Jacksonville and began to put on his body armor next to the school library at Edward Waters University, an HBCU established in 1866. A security guard scared him off, but he got back in his car and drove to a nearby Dollar General, where he would unleash racist terror, murdering three Black people before turning the gun on himself.

What is the nature of the environment where this horrific massacre took place? This year, Jacksonville elected the first progressive mayor in decades, a white woman, a former newscaster who won office by saying she intended to unify the city. Jacksonville has, after all, been on the forefront of the antifascist struggle. It is both the city where Donald Trump was to be renominated in 2020 and also the city where Kamala Harris spoke earlier this year on defending Black history in schools.

It is also the birthplace of Florida Governor Ron DeSantis, who is running for president on a platform of Make America Florida. He has left no stone unturned in his quest to strip African Americans, immigrants, formerly incarcerated people, the LGBTQ community, and women in Florida of their civil rights. During his tenure as governor, groups like the Goyim Defense League have set up public Nazi rallies, dropping anti-Semitic signs over overpasses, and even picketing outside of Walt Disney World with swastikas. A week after the massacre in Jacksonville, as part of the #BanTheADL campaign, two separate Nazi groups held fascist rallies in Orlando and in Altamonte Springs, just 10 miles from where 17-year-old Trayvon Martin was murdered in 2011 for walking while Black.

In Jacksonville, such elements have been distributing anti-Semitic and KKK literature on the lawns of peoples houses, and projecting giant swastikas intertwined with crosses on skyscrapers downtown at night. The response to an increase in racist, hateful, Nazi rhetoric is an increase of racist, hateful, Nazi behavior. In his statement in response to the massacre near Edward College University, DeSantis didnt even bother to say that the murderer was white, and his victims were Black.

Politics matter

As capitalism continues to come up short on being able to provide for the continued existence of the human species, the masses are waking up. Voters are choosing correctly when they fight for progress at the ballot box. Workers are choosing correctly when they struggle for power on the job, and for racial and gender equality in their communities. The voters of Jacksonville have had enough. But fascists dont respect election results. They see their power as coming from the barrel of their AR-15s. Like a cornered animal, the fascist backlash is growing, and can be more powerful and deadly than we imagine.

As we move into the latter part of 2023, with an eye on the elections in 2024, we should be sure to point this out to workers. Young people frustrated at the lack of progress on student loan forgiveness might not be considering the ramping-up of fascist hate as they make their choice at the polls. Workers might not understand the line that runs between transphobia and racism, so we need to explain that to them. Your father-in-law might think that Joe Biden is just too old, and might not be thinking about the long-lasting damage to democracy that another Trump presidency might portend.

Its scary to think about, but increasingly possible that in ten years time, unless our working class becomes more empowered and organized, we might actually be face-to-face with a fascist takeover of the government. Fascists, threatened by demographic changes and progress made by working people, understand theirs to be an existential battle to the death. Trump is facing the rest of his life in prison. A cornered animal is at its most dangerous, violent, and loud. So, too, must we hold fast to what Karl Marx and Fredrich Engels said about the struggle for socialism: we will win either a revolutionary constitution of society at large or the common ruin of the contending classes.

Images: Elon Musk / X by Fred Barr; Leo Frank by Bain News Service (Library of Congress); Charleston, WV Vigil in Solidarity with Charlottesville by Rise Up WV (CC BY-NC-SA 2.0 DEED) People march with leaders of the March on Washington by ADL (Facebook)

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Elon Musk and the fight to X out hate speech - Communist Party USA

Categories Leo Frank

Fighting Antisemitism: How ADL Monitored and Responded to GDL – ADL

To understand how ADL responds when organized hate comes to town, lets take you to Georgia earlier this year. Thats when at least 11 individuals affiliated with the Goyim Defense League (GDL), a loose network of people who share antisemitic, anti-LGBTQ+ and white supremacist thinking, set out on a Name the Nose Tour their words to antagonize Jewish communities in the Peach State. Their overriding goal: to turn communities against the Jewish people by spreading myths and conspiracy theories.

They distributed fliers in various city neighborhoods, blaming Jews for Covid-19, pornography, the slave trade and perceived societal woes. They gathered outside several synagogues, where they yelled slurs, insulted passersby, brandished offensive signs and waved swastika flags. They hung an anti-LGBTQ+ effigy from a street sign. And wherever they went, as they tend to do, they aimed to provoke reactions, even violence, that they could film or livestream to engage with and entertain followers and, ultimately, feed GDLs coffers.

Our Center on Extremism (COE) and its team of investigators knew GDL was planning to swing through Georgia weeks in advance. We didnt know exactly when or where theyd land, but we made efforts to give law enforcement officials a heads up in early June. When Jon Minadeo II, GDLs leader and a Florida resident, said that he was on a road trip with a van full of Nazis and headed for a weekend of Jew naming, we knew what that meant.

We alerted law enforcement, outlining the group's past efforts. We sent an advisory to Jewish community leaders in synagogues and other institutions to educate them, provide advance notice, share tips for best practices if GDL showed up do not engage with these individuals, for example and offer our support.

Nearly a dozen ADL staff members in Georgia and elsewhere remained on-call throughout the weekend and into the wee hours of each morning. We tuned in when reports came in of overnight fliering around Warner Robins, a city in middle Georgia, and were on alert when individuals demonstrated outside a synagogue in Macon, a larger city north of Warner Robins and en route to Atlanta. Ten of the 11 participants were known to ADL COE as associates of the GDL. We witnessed the swift law enforcement presence and watched in real time as county deputies arrested Minadeo for disorderly conduct and a noise ordinance violation, and then as the group dispersed. But we also knew as soon as Minadeo was released on bail the group would resume its fliering.

The following day, they showed up to heckle people who rallied outside the synagogue in support of the Jewish community. COE continued to monitor GDL's activity working closely with regional staff and law enforcement. Along the way, we fielded queries from elected officials and organizational leaders, and made sure targeted communities knew they were not alone.

By Saturday evening, we watched GDL supporters land in Marietta, a suburb north of Atlanta. There they set out to stir up reactions outside another synagogue, where dozens of peaceful counter protesters assembled across the street.

ADL doesnt always know why hate groups choose the places they target, but over this weekend we could speculate. Driving up I-75 from Florida, Macon (and nearby Warner Robins) is the first major stop. And the Marietta synagogue is right near where Leo Frank, a Jewish man, was lynched by a mob in 1915, two years after the founding of our organization. Photos GDL supporters took by Franks memorial that night suggested their being there was no accident.

We weighed responses, crafted statements and put out social media posts to help alert the community and the public. More hateful fliers were distributed overnight in Marietta and nearby Sandy Springs. Others were reported elsewhere in Georgia on Monday, June 26, but by then the tour had petered out.

Using our expertise and knowledge, we prepared the Jewish community for what the weekend would bring. We also met with local political leaders, supported their anti-hate work and welcomed statements of solidarity with the Jewish community from valued partners, such as the Georgia NAACP. We participated in and helped facilitate unity and interfaith events planned in the aftermath, including one in Macon that drew nearly 1,000 people.

The groundswell of support for the Jewish community and relationship building, throughout the weekend and afterward, proved more powerful than the actions of GDL ever were.

As one affected rabbi put it, We cant have our heads in the sand. We need to know whats out there. But if their intention was to make the Jewish people in my neighborhood feel more proud and more connected to their neighbors, they far surpassed their goal.

GDL, unfortunately, will not disappear overnight. But when they show up to troll our communities, as demonstrated in June, you can bet ADL will be ready.

Read more from the original source:

Fighting Antisemitism: How ADL Monitored and Responded to GDL - ADL

Categories Leo Frank

‘Popularizing the Past’ by Nick Witham review – History Today

Historian and Librarian of Congress Daniel Boorstin with actress Lillian Gish, Senator Barry Goldwater, and actors Charles Rogers and Douglas Fairbanks, Jr. at the opening of theMary Pickford Theater, 1983.Library of Congress. Public Domain.

Nick Witham opens his new book by lining up two articles by famous historians, written four decades apart. Whats the matter with history? was the question posed by Allan Nevins in the Saturday Review of Literature in 1939, as he wondered why academic historians insist on specialising, to the detriment of the field of popular history. Eric Foners diagnosis in the New York Times in 1980 was that historians had abandoned non-academic audiences to television documentaries, historical novels, and gossipy biographies. If you are, by chance, exhausted by the repetitive online back-and-forth on this very same question that has unfolded over the past decade, you will find little relief, but some welcome catharsis, in the pages of Popularizing the Past.

Witham offers five chapters, one each for the lives and works of postwar American historians Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn and Gerda Lerner. Biographical details of the authors, some textual analysis of their keystone works, and publication histories are interwoven with a dose of reception history. The prose is sturdy and readable, and the biographies of these authors are fascinating. (Boorstins father defended Jewish factory owner Leo Frank when he was accused of killing teenage worker Mary Phagan just one such revealing detail showing the way the historians lives intertwined with their times.)

The argument of Withams book is that the audience for popular historical nonfiction that explains America to itself has always been a diverse one, made up of various types of readers. The imagined past, when an idealised American reader relaxed by the fireside with a sturdy tome written by a credentialed academic, is, largely speaking, a fiction. Hofstadters The American Political Tradition (1948), for example, was aimed at a general audience that, Witham writes, was considered to be made up of educated and intelligent American citizens from across the political spectrum who appreciated the opportunity to learn from experts. These middlebrow (to use the terminology of the times) readers were more likely to encounter nonfiction than before because of the paperback revolution.

But this was not the only type of reader looking for popular history in the postwar milieu. The differentiation Witham draws is between this general audience that read Hofstadter or Boorstin for enrichment, and the activist readers looking for a useable past. Such readers might be drawn to Franklin (a pioneer in the writing of Black history for a popular audience), Zinn (whose Peoples History of the United States should need no introduction), or Lerner (who wrote readable books about womens history at the cusp of second-wave feminism).

The best parts of Popularizing the Past are the archival discoveries of letters from readers, and between editors and writers, showing the nitty-gritty of how this sausage got made and eaten. It is fascinating to see how the people who ran the Book-of-the-Month Club rejected the first volume of Boorstins The Americans as being of appeal to the specialized, rather than the general reader, and to hear how Boorstin and his editors responded. Its infuriating but extremely informative to find out that the publishing house Knopf promoted John Hope Franklins From Slavery to Freedom with a blurb from Arthur Schlesinger that lauded the Black historian for writing without a chip on his shoulder, as part of a campaign to get the book into the hands of as wide a range of readers as possible. And its confounding to see that Lerner was asked whether she could include more female villains in her books. She declined, saying that women had not had enough power to be villains an idea carefully examined, and gainsaid, by later scholarship on American white women who were slaveholders and eugenics activists, among other villainous things.

What is missing from Popularizing the Pastis discussion of how the changing economies of prestige, in academia and in publishing, have affected the ambitions of academic historians to write for the public. Often, in this conversation, a material problem gets reframed as one of volition. Witham refers in his introduction and conclusion to Harvard historian and New Yorker writer Jill Lepores recent critique of the rest of the members of her profession, who she believes have ceded the work of providing a legible past and a plausible future for American readers to the charlatans, stooges, and tyrants people like Glenn Beck and Bill OReilly who regularly send popular histories that are far from academically acceptable up the bestseller lists.

But, as many historians pointed out in responses to Lepore, American historians are in crisis, with the academic job market in such continuous freefall that to describe it as freefall has become a clich. If you are still hoping for tenure, writing a popular history before getting a tenure-track job is perceived, in many departments, as a bad move for an early-career scholar. Meanwhile, available book advances for serious non-fiction are diminishing in scale. Historians reading Withams work may sigh in despair upon seeing that Richard Hofstadter got an advance of $270,000 in 1960s dollars for a three-volume political history of the American people. When it comes to writing books, job security and financial padding arent everything, but they are not nothing, either.

Thats not to mention the biggest question haunting these pages: does anyone even buy, or read, these kinds of books in the digital age? Historians in the US do continue to try to reach mass audiences on Instagram, TikTok, Twitter and all the Twitter clones; by starting podcasts and blogs; by writing for online outlets and newspapers; and through the number one forum for popularization, the place where they can probably be the most effective of all: the classroom. New laws against teaching Critical Race Theory are making that last more difficult for academics in many Republican-controlled states. With all of this going on, a debate over academic historians obligations to produce sound, readable popular history, in book format, feels like an artefact of a different, gentler time.

Popularizing the Past: Historians, Publishers, and Readers in Postwar America Nick Witham University of Chicago Press, 240pp, 20 Buy frombookshop.org(affiliate link)

Rebecca Onion is a senior editor at Slate.

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'Popularizing the Past' by Nick Witham review - History Today

Categories Leo Frank

The ADL betrays history and the people it pledges to protect – JNS.org

(September 12, 2023 / JNS)

The Anti-Defamation League was founded in 1913 by the Bnai Brith following the lynching of Leo Frank. Its founding charter gives as its prime directive to stop by appeals to reason and conscience and, if necessary, by appeals to law, the defamation of the Jewish people. Secondarily, the organization seeks to end discrimination against all groups of people.

For decades thereafter, the ADL was widely regarded as an august institution, having fought a large swath of scourges that beset the Jewish people, including Henry Fords malign propaganda, as well as Nazis operating in the United States. It was also an active participant in the civil-rights movement of the 1960s.

In market contrast, the ADL now under the leadership of CEO and national director Jonathan Greenblatt has formed an increasingly intertwined alliance with an antisemitic leader whose incendiary rhetoric against Jews in large part led to the worst pogrom in American history.

In 2020, the ADL joined other organizations in the incipient Stop Hate for Profit campaign designed to purge social media of hate and what they deemed disinformation. To join forces for this endeavor, Greenblatt turned to none other than the Rev. Al Sharpton.

In the wake of the Great Depression, when U.S. President Franklin Delano Roosevelt sought to form the Securities and Exchange Commission, he tapped the inveterate market manipulator and insider trader Joseph Kennedy as one of his commissioners, and who became its first head. The reasoning was said to be that few knew better of the evils that caused the financial markets to crash.

A similar argument could be made for Sharpton. Kennedys example is in stark contrast to Greenblatts confederate in that he recognized the ruination that he engaged in caused to the nations economy. He thus sought to curtail it.

The only change with Sharpton has been on the surface. His appearance is more polished and his language muted as he basks in the elite strata of society that has been accorded him.

The most recent iteration of the ADLs feigned redemption of Sharpton was the Jewish groups co-sponsoring his National Action Networks March on Washington to commemorate the 60th anniversary of Dr. Martin Luther King Jr.s historic I Have a Dream speech. This is especially ironic in that King was genuinely philosemitic and an admirer of Israel as a beacon of democracy.

The latest March on Washington had the additional unfortunate confluence of transpiring during the same week as the anniversary of the 1991 Crown Heights riots in which Sharpton was a central figure.

Presently on the ADLs website, the March on Washington redux is a featured article. Any reference to the anniversary of the historical tragedy in Crown Heights is conspicuously absent.

The biography of Greenblatt on the organizations site shows no reference to involvement in Jewish communal mattersmuch less combating antisemitismbefore he took over the helm of this historical institution.

Greenblatts predecessor Abe Foxman, a Holocaust survivor, did graduate work at the Jewish Theological Seminary and toiled as a lawyer for the ADL for 22 years before becoming national director of the organization. Though it was well-known that Foxmans political affinities were liberal, he was widely admired for his generally even-handed approach to running the organization. Still, even Foxman had a blind spot when it came to the Crown Heights conflagration.

Foxman initially failed to perceive the violent rioting for the pogrom it was and unduly delayed the ADLs defense of the beleaguered Chassidic community. To his credit, Foxman promptly apologized for this error in judgment.

There is no sign that Greenblatt will say that he is sorry for being in league with a man who egged on the shedding of Jewish blood. The head of the ADL also does not appear at all perturbed by his allys subsequent vile verbal attack on the Jewish owner of a clothing store in Harlem that inspired a mass murder nor does he seem troubled that when on a trip to Israel said he was in hell.

Some of Sharptons defenders contend that he has had a change of heart, but there is no evidence to substantiate this assertion. The only semblance of an admission on Sharptons part is that he has relayed the anecdote of Coretta Scott King chastising him for using cheap rhetoric to get cheap applause. He also noted that he was supposedly appalled by the Palestinians pay-for-slay policy. Why he just realized that is anyones guess.

On the Jewish calendar, as we approach Rosh Hashanah, the New Year, we are taught that it is a time to perform teshuvah or repentance. It is a requisite of teshuvah that we specifically acknowledge our actions and the harms they have caused.

There is also precious little indication that Greenblatt will engage in teshuvah for the serious harm he has caused the once great organization that he now heads.

During the Crown Heights riots, Rabbi Shea Hecht worked across racial lines to reach a harmonious resolution of the conflict. He subsequently co-chaired the Crown Heights Coalition with African-American Dr. Edison O. Jackson.

Asked about the ADLs current partnership with Sharpton, Rabbi Hecht said, It is shocking, but then again not. The ADL was not there for us when the riots happened. Still, in some ways what is going on now is worse. The great sage Hillel the Elder famously asked, If I am not for me then who will be for me? It does not appear that the ADL is fully there for the Jews in Crown Heights. While I believe that anyone can become our ally, it does not appear that this is being done the right way.

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The ADL betrays history and the people it pledges to protect - JNS.org

Categories Leo Frank

OPINION: Authenticity isn’t a box-ticking exercise it honours … – Jewish News

In our rapidly evolving media-saturated age, the demand for authentic representation in film, television, and theatre has intensified. Debates surrounding JewFacea term highlighting the issue of casting non-Jewish actors in quintessential Jewish roleshave grown particularly heated.

Amid these discussions, its crucial to understand why authenticity is pivotal in representation. Authenticity isnt a mere box-ticking exercise; its about capturing the essence, emotions, and lived experiences of a community.

To delve into this nuanced topic, I spoke with Yuval Shwartsman, an Israeli actor who is masterfully portrays Leo Frank on stage in the renowned musical Parade.

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The story of Leo Frank, unjustly accused of a young girls murder in 1913 Georgia, is a stark reflection of the deep-seated anti-Semitic sentiments prevalent in the American South. Its not just a tale of one mans ordeal; it reflects a societal attitude steeped in prejudice.

Yuval Shwartsman as Leo Frank

Shwartsmans depiction transcends mere characterization, adding layers of authenticity. He taps into the rich fabric of Jewish history and culture, giving Leos role a depth that deeply resonates with audiences. The story, saturated with sensationalism and reflective of the eras prevalent anti-Semitism, mirrors many of todays societal issues. The subsequent rise of the Ku Klux Klan and the birth of the Anti-Defamation League serve as potent reminders of the lasting impact of such events.

How, then, does Shwartsman, with his deep-rooted Jewish heritage, relate to the tangible anti-Semitism Frank experienced? Being raised Jewish, especially in Israel, grants a unique viewpoint, Yuval shared. Our shared history, intertwined with my familys tales from Moldova up until the 1970s and my personal experiences, offers me a rich understanding.

Leo Frank at his trial.

The Guildford School of Acting (GSA) has become a magnet for Israeli actors keen to hone their skills. Shachar Shamai, the visionary behind Jewish Cabaret, brilliantly fuses humor and music to explore and uplift Jewish identity, highlighting its diverse facets. Similarly, Michael Einavs Audition series on YouTube humorously critiques deep-rooted casting stereotypes, exposing the entertainment industrys inherent biases.

Another astute GSA alumna, whom Ill refer to as Rae, drew attention to Falsetto, a West End production criticized for seemingly marginalizing authentic Jewish voices. Authentic representation isnt just important; its essential, she expressed. While character portrayal is an art, truly understanding and internalizing their essence demands depth. Its not that all Jewish characters must be played by Jewish actors, but a production requires Jewish insight within its team.

The challenges extend to Hollywood. Recent debates around Bradley Coopers decision to use a prosthetic nose in the Bernstein biopic, Helen Mirrens celebrated yet scrutinized role in Golda, and the criticisms from some Jewish fans regarding Marvels portrayal of the Jewish identities of superheroes Moon Knight and Wanda Maximoff underscore the industrys broader representation struggles. Such choices, while artistically noteworthy, spark deep reflection on balancing artistic freedom with cultural genuineness.

Rabbi Alex Goldberg

From my perspective, Shwartsmans poignant portrayal took me back to a Hollywood set I once toured. The overt inaccuracies in a Shabbat dinner scene underscored the industrys occasional oversight of genuine cultural subtleties.

Once we replaced a Jesuit prayer book with a Jewish one, removed inappropriate food items, and instructed renowned actors on the Kiddish, the scene became flawless. Clearly, consensus in representation remains a challenge.

Ive witnessed both Jewish and non-Jewish actors bring the character of Tevye from Fiddler on the Roof to life compellingly, proving that talent is boundaryless. Authentic representation isnt just about casting; it emphasizes grasping and honouring cultural nuances, avoiding the dangers of cultural appropriation.

The backlash against JewFace and similar representational missteps is not just about political correctness. Its a call for respect, understanding, and acknowledgment of a communitys history, pain, and joy.

Representation matters because stories are powerful. They shape perceptions, influence beliefs, and have the potential to either perpetuate stereotypes or challenge and dismantle them.

Therefore, the onus lies with filmmakers, producers, casting directors, and actors to approach roles with the diligence, respect, and depth they demand.

By weaving authenticity into the heart of narratives, we not only enhance the quality of art but also amplify its impact, ensuring it resonates on a universally human level.

In a world striving for inclusivity and acceptance, its high time the entertainment industry heeds these calls for genuine representation, as it holds the power to foster connections, understanding, and mutual respect. As Yuval wisely put it, Raw talent can enthrall, but when coupled with genuine connections, stories rise above mere visuals to touch hearts and linger in shared memories.

The thunderous applause during Parades preview night wasnt just for the skill displayedit celebrated the authenticity, depth, and passion actors like Yuval bring to their roles. As the entertainment realm evolves, the conversation must shift from mere representation to a profound, enriching understanding, steering clear of reductive tropes like JewFace.

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OPINION: Authenticity isn't a box-ticking exercise it honours ... - Jewish News

Categories Leo Frank

Musk defames the ADL – The Hill

If ever there was a case to be made against the wild excesses of social media, consider Elon Musk’s latest attack on one of the most venerable civil rights organizations in America, the Anti-Defamation League (ADL).

According to the Jewish Telegraphic Agency, last week, Musk “liked a tweet by an Irish white supremacist calling on the platform to #BanTheADL” and then “asked users whether he should put such a ban to a poll.” The hashtag been used increasingly by white nationalists and raging antisemites. On September 4th, he threatened to sue the ADL for his own company’s revenue losses.

For the uninformed, the Anti-Defamation League was founded in 1913 to “stop the defamation of the Jewish people and to secure justice and fair treatment to all.” The mission was made clear in the trial that same year of Leo Frank, a Jewish businessman convicted of the rape and murder of a 13-year-old female employee in Georgia. Frank’s trial is a case study in antisemitism advanced and accelerated under the cloak of law. When the governor reduced Frank’s death sentence to life in prison, a hate-filled mob, including many paragons of the community, dragged Frank from his prison cell and lynched him.

For over a hundred years, the ADL has commanded the respect of Republicans and Democrats, the left and the right, Jews and gentiles, leaders foreign and domestic. It hasn’t confined itself solely to combatting antisemitism, but has fought for civil rights across the board. The organization stood with Dr. Martin Luther King, Jr. in the 1960s. It helped to mobilize support for the Civil Rights Act of 1964 and the Fair Housing Act of 1968. In the 1980s, it worked with the Japanese and Asian and Pacific American communities to highlight Japanese relocation and incarceration in internment camps during World War II.

Who can impeach the unimpeachable? Sully the virtuous?

Elon Musk. He’s found a new low, appearing to be anti-anti-defamation.

It should come as no surprise. History informs us that the propagation of bigotry rests on a strategic imperative: discredit and defame those who expose the bigots. Soften them up so their claims have no sting. It makes the ADL a tempting target. The organization has tracked and uncovered massive spikes in racist, antisemitic and homophobic content and harassment since Musk bought Twitter (now known as X) last year and restored extremist accounts banned under the previous management.

It’s a disturbing, destructive fight. In May, Musk clashed with the ADL after it took him to task for echoing antisemitic tropes in his attack on George Soros, the liberal Jewish megadonor. In July, he sued the Center for Countering Digital Hate for its reports on Twitter.

In one of the most chilling of Musk’s diatribes, he claimed that the ADL has been “hijacked by the woke mind virus.” You don’t have to be a historian of 1930s Nazi propaganda to feel queasy at the parallel, intended or not: Jews are somehow alien, contaminated, bound together in some supernatural force that threatens our very way of life. I’m not saying that Musk supports Nazis or neo-Nazis, but he seems to have no problem flirting with the rhetorical invective they’ve employed: Soros, internationalists, viruses — we’ve heard it all before.

Jonathan Greenblatt, the ADL’s CEO, responded to Musk’s recent attacks about banning the group from X, pointing out the connection between the #BanTheADL hashtag and “in the real world when masked men marched in Florida on Saturday brazenly waving flags adorned with swastikas and chanting ‘Ban the ADL.’” Greenblatt was referring to an antisemitic demonstration by neo-Nazis and white supremacists outside Disney World.

Musk, of course, condones it all under the banner of free-speech absolutism. It’s a maddeningly hypocritical defense. How can it be that one of the smartest entrepreneurs on Earth doesn’t comprehend the glaring, laughable disconnect: arguing for absolute free speech while flirting with a ban of the ADL?

The argument of “free-speech absolutism” was swiped aside by the dictum of Justice Oliver Wendell Holmes, Jr. in the Supreme Court decision on Schenck v. United States in 1919. The opinion held that the defendant’s speech opposing the draft during World War I was not protected under the First Amendment because it presented a clear and present danger. “The most stringent protection of free speech would not protect a man falsely shouting fire in a theatre and causing a panic.”

In the case of Elon Musk, the clear and present danger is even more serious. He owns a social media empire tantamount to owning all the theaters, plus the fire departments, plus the manufacturers of matches and gasoline.

So much power concentrated in the hands of one person requires, if not decency, at least accountability. Even Musk’s Teslas have self-correcting navigation to ensure they don’t veer dangerously across guardrails. Elon Musk requires the same.

Steve Israel represented New York in the U.S. House of Representatives over eight terms and was chairman of the Democratic Congressional Campaign Committee from 2011 to 2015. He is now director of the Cornell Jeb E. Brooks School of Public Policy Institute of Politics and Global Affairs. Follow him @RepSteveIsrael. 

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Musk defames the ADL - The Hill

Categories Mary Phagan

Top 10 Broadway Musicals That Seem Great for Kids but Aren’t – Listverse

Musical theater can be a magical thing for a child. The first time they see Wickeds Elphaba rise to the top of the theater, or the chandelier come crashing down in Phantom, can be a memory theyll never forget.

Of course, some shows might not make such a great impact. Occasionally, parents have a tendency to make rash decisions, and some of those end up turning into nights at the theater with kids, watching shows they probably shouldnt be seeing.

These shows arent necessarily bad for children to see. Still, because of somethingits title, famous song, etc.parents may be misled into believing the musical is something its not. And that can lead to an uncomfortable performance for all involved.

So lets head backstage and look at ten Broadway musicals that arent the ones you want your kids watching.

Related: Top 10 Broadway Musicals Youve Never Heard Of

Although its one of the most famous musicals of all time, it might not be the best way to introduce your child to the world of theater.

Cats has a famously convoluted plot that may be difficult for most kids to understand. (Im 23 and barely understand it myself.) In general, the idea is that a group of cats in London are each competing to go to the Heaviside Layer, which is their version of heaven.

Although the show can certainly be a lot of fun, its quite confusing, and a child may not understand whats happening. To top it off, in an effort to transport the audience from a theater to this magical world where cats seem to rule the earth, most productions utilize heavy makeup and interact with the audience when they can, which can be unsettling, to say the least.[1]

The original Broadway production of Spring Awakening starred Jonathon Groff and Lea Michele, both cast members of the hit TV series Glee. Although Glee isnt necessarily a show for children, it was popular with tweens upon its first release and remains so today.

Naturally, these tweens might find themselves drawn to a Broadway musical that featured both Groff and Michele, but Spring Awakening may not be the best idea. Based on the play of the same name from the 1890s, the show is about a young girl (played by Michele) who is raped by a boy (played by Groff). She becomes pregnant and must get a botched abortion, which ends up killing her.

Side plots include incest and sexual abuse from parents, as well as suicide: Pretty far from Groff and Micheles time on Glee, when they just had to worry about their glee club making it to nationals.[2]

Along with Cats, Hair is one of the most pivotal and famous musicals of all time. But despite this distinction, few people know much about the actual plot. Its not just zany singers in wigs: The show is a political art piece criticizing warthe Vietnam War specifically.

Our main characters do drugs, have sex, and swear throughout the entire show. It is integral to the plot, which aims to show what hippie tribes were really doing and talking about during the age of Flower Power.

But the main reason parents should try to steer clear of Hair is one particular scene in which the actors are presented fully nude. This might not be a big deal to some families, but its definitely something to be aware of before bringing the kids (or the in-laws!).[3]

Dont let the name fool you: Parade is not a lighthearted night at the theater.

The titular parade isnt the fun-filled extravaganza youd expect. Rather, it refers to the parade that the people of Atlanta, Georgia, plan to throw once Leo Frank is hanged for raping and murdering a young girl.

Based on true historical events, Parade follows Frank as hes accused of this heinous crime and the gross injustice that follows. Besides the devastating story of Mary Phagan, the girl whos been murdered, Parade also takes a look at the extreme anti-Semitism that caused Frank to be accused and his trial to be sensationalized and botched.

All in all, this is one of the heaviest and most heart-wrenching shows to be mounted on the Great White Way and one that adults still have trouble fully comprehending. Anyone whos done a bit of research on the show would know that going in, but if someones bought tickets based on the title alone good luck.[4]

I know, its almost sacrilegious to say that the iconic West Side Story isnt great for young ones, but its true.

Plenty of kids media is based on Shakespeare. Take Gnomeo and Juliet, for example. But while Gnomeo and Juliet takes Shakespeares tragedy and turns it into a garden trinket-themed farce, West Side Story somehow makes it even more violent.

Everyone knows the main songs from the show: Maria, One Hand, One Heart, and I Feel Pretty. These songs may seem hopeful and innocent, but the plot is not. The love story is only one part of the show, as the rivalry between the Jets and the Sharks results in extreme racism and violence, culminating with the violent death of the protagonist. And thats not even mentioning the several references to rape, including one where the beloved character Anita is almost sexually attacked by the Jets.

So maybe stick with the gnome version for the first few years.[5]

Yet another misleading title.

The fun home in question is short for a funeral home, where the main character, Alison, lives with her brothers and parents.

This musical is a biography of writer and artist Alison Bechdel. Today, shes a lesbian icon, but in her youth, she was just a young girl struggling with her sexuality.

She and her brothers romp around the funeral home, playfully introducing the audience to aneurysm hooks and smelling salts. And while there are some sexual overtones from Alisons first girlfriend, Its not the fun home or sex that makes this show a little too adult for young ones.

Turns out Alisons father is also struggling with his sexuality and deals with it by going out cruising and hooking up with barely legal men. Alison tries in vain to get her father to both accept her and himself, but in the end, he chooses suicide over facing the truth.

Not very fun. [6]

Dont let the exclamation point fool you: Oliver! is no walk in the park.

People often assume this adaption of Dickenss Oliver Twist is a childrens show. Its an easy mistake to make, considering the show is named after a young boy, and much of the cast is made up of children. And Im not saying that children dont enjoy or shouldnt see Oliver!just that some people may not be aware of how dark the content truly is.

The plot follows Oliver, abandoned at birth, as he weaves his way through Victorian London. The original book was written as a critique to show how horribly poor people and orphans lived on the streets in those days, and it certainly shows. Oliver is put through trials and tribulations, such as being kept in a coffin, being sold to whoever wants him, and eventually surviving a brutal murder attempt.

Nancy, a prostitute, is one of the only true friends Oliver makes in his time on the streets. So, of course, she winds up brutally murdered by her boyfriend, leaving Oliver alone to grieve at the end of the show.[7]

Theres a reason the kids are played by adults in this one.

This musical focuses on a group of children who are brought together by, you guessed it, a spelling bee. Each one loves spelling, and each has a reason for why they absolutely need to win.

Although the show starts off fairly tame, with the kids arguing about the difficulty of spelling and getting to know each other, it quickly takes a darker turn. From learning that one childs family openly mocks him for his stupidity to two girls breaking down over the pressure they face at home and from school, Putnams characters become three-dimensional faster than you can spell character development.

When contestant Olive is asked to spell the word chimerical, which means wildly fanciful, she begins a daydream song in which her parents repeat I love you and apologize for abandoning her. At the end, of course, her parents (who did not come to the bee) fade away, leaving her alone onstage after one of the most heartbreaking songs in musical theater. It is during this song that the audience also learns Olive may be being abused by her father at home.

But dont worry, its not all sad. Just look at the Act 2 opener: My Unfortunate Erection.[8]

Into the Woods might be fine for kids as long as you leave after Act I. In fact, this is so true that the officially licensed junior version of the show only includes the first hour and a half.

Anyone familiar with Stephen Sondheims other works would know that he generally writes complicated plays that tackle intimate issues that children wouldnt find particularly interesting. To be fair, though, with main characters like Little Red Riding Hood, Cinderella, Prince Charming, and Rapunzel, its easy to see why parents take their kids along to see Into the Woods.

Theres nothing that necessarily makes Into the Woods inappropriate, per se. No foul language or graphic scenes of violence or sex. But unless your kids are mature enough to watch Prince Charming cheat on Cinderella and Red Riding Hoods mother die, its best to steer clear.

Its a fairy tale with no happy ending and some lessons that are hard to swallow no matter how old you are.[9]

Much like cartoons, puppetry has become nearly exclusively associated with childrens entertainment. But as TV shows like South Park have shown us, animation can be very adult.

Avenue Q is to puppets what The Simpsons was to TV: Proof that any art form can be made for grown-ups. With cuddly, fuzzy main characters splashed across advertisements, its an easy mistake for parents to think Avenue Q is a family-friendly Sesame Street-type of show. Which it is in a way.

But instead of teaching kids to tie their shoes and count to ten, this musical instructs adults what to do with a useless college degree, how to use the internet to find porn, and how to address your roommates sexuality. The show is a satire of Sesame Street, but unfortunately, not everyone does their homework before seeing a show. So many parents have unsuspectingly brought children that the official website of the original Broadway production had to add a disclaimer that young children should not attend.[10]

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Top 10 Broadway Musicals That Seem Great for Kids but Aren't - Listverse